Subject: 410101 Music
Number of items: 114.
Armstrong, Keith M. (2002) (R)everse (E)ngineering (V)irtual Fabrications.
Sorensen, Andrew C. and Brown, Andrew R. (2008) A Computational Model For The Generation Of Orchestral Music In The Germanic Symphonic Tradition: A progress report. In Wilkie, Sonia and Hood, Anthony, Eds. Proceedings Sound : Space - The Australasian Computer Music Conference, pages pp. 78-84, Sydney.
Brown, Hugh D. (2006) A Digital Business Model for Independent Musicians. In Proceedings Association of Internet Researchers Doctoral Colloquium, Brisbane.
Wooller, Rene and Brown, Andrew R and Miranda, Eduardo and Diederich, Joachim and Berry, Rodney (2005) A framework for comparison of process in algorithmic music systems . In David, Burraston and Ernest, Edmonds, Eds. Proceedings Generative Arts Practice, pages pp. 109-124, Sydney, Australia.
Wooller, Rene W. and Brown, Andrew R. (2008) A framework for discussing tonality in electronic dance music. In Wilkie, Sonia and Hood, Anthony, Eds. Proceedings Sound : Space - The Australasian Computer Music Conference, pages pp. 91-95, Sydney.
Knowles, Julian D. (2007) A Survey of Web 2.0 Music Trends and Some Implications for Tertiary Music Communities. In Grant, Catherine, Eds. Proceedings Music in Australian Tertiary Institutions: Issues for the 21st Century, Queensland Conservatorium Griffith University, Brisbane, Australia.
Davidson, Robert A. (2007) Above Ground (Karak) for two percussion, string quartet and piano.
Davidson, Robert A. (2002) Adams' Faith in Music. In The Courier Mail, 7 March 2002 pages pp. 12-12, Newscorp.
Radbourne, Jennifer and Arthurs, Andy (2007) Adapting musicology for commercial outcomes. In Radbourne, Jennifer and Arthurs, Andy, Eds. Proceedings Valencia Spain - 9th International Conference on Arts and Cultural Management (AIMAC 2007) CD A1-4, pages pp. 1-13, Valencia, Spain.
Knowles, Julian D (2006) Alva Noto. In Filter, 62(March 06 - June 06) pages pp. 17-19, Australian Network for Art and Technology.
Brown, Andrew R. (2004) An aesthetic comparison of rule-based and genetic algorithms for generating melodies. Organised Sound 9(2):pp. 191-198.
Opie, Timothy T. and Brown, Andrew R. (2006) An Introduction to Eco-Structuralism. In Proceedings International Computer Music Conference, pages pp. 9-12, New Orleans, USA.
Brown, Andrew R. (1999) An Introduction to Music Analysis with Computer. XArt Online Journal 4(1).
McCombe, Christine (2003) An Opera of Clouds : Time and Space in mixed media performance. In Proceedings Australasian Computer Music Association Conference: Converginh Technologies., pages pp. 68-74, Melbourne, Victoria..
Davidson, Robert A. (2001) Anumadutchi & The Queensland Orchestra: united by Brophy. In RealTime, Open City.
Davidson, Robert A. (1993) Arch for viola .
Brown, Andrew R. (2003) Australasian digital instrument building. In Proceedings Australasian Computer Music Association Conference 2003: Converging Technologies., pages pp. 21-26, Edith Cowan University Mount Lawley, Western Australia.
Bentley, Danielle S. (2005) Australian contemporary music in Queensland.
Dillon, Steven C. (2007) Before the eyes glaze over. Music Forum 13(1):pp. 32-33.
Davidson, Robert A. (2001) Big Decisions: The Whitlam Dismissal.
Brown, Andrew R. (1997) Changing Technologies, Changing Minds: Taking account of music technologies in the curriculum1. In Gifford, E and Brown, A.R. and Thomas, A, Eds. Proceedings Australian Society for Music Education XI National Conference.
Montgomery, Lucy (2007) China's Film and Music Industries: Copyright, Business Models and Lessons for Developed Markets?. In Proceedings Defining the Field: Themes in Contemporary China Studies, Cambridge University, United Kingdom.
Brown, Andrew R. (2007) Code Jamming. M/C Journal 9(6).
Davidson, Robert A. (2005) Coil for saxophone, violin, viola, double bass and piano.
Brown, Andrew R. (1998) Composer Views: Context in the use of computers for musical composition. In Proceedings Actes des Journees d'Imformatique Musicale 1998, pages pp. 1-8, France.
Brown, Andrew R. (1998) Composing by Pen: Exploring the effectiveness of a system for writing music notation on computers via pen input. Australian Journal of Music Education 1998(1):pp. 48-56.
Hewitt, Donna G. (2006) Compositions for Voice and Technology. PhD Thesis, Music Department, University of Western Sydney, Penrith.
Livingstone, Steven R. and Muhlberger, Ralf and Brown, Andrew R. and Loch, Andrew (2007) Controlling Musical Emotionality: An Affective Computational Architecture for Influencing Musical Emotions. Digital Creativity 18(1):pp. 43-53.
Davidson, Robert A. (1993) Conversations, for clarinet, viola and cello.
Arthurs, Andrew C. (2001) Creative industries' impact on music. In Proceedings 2001 NACTMUS Conference, Creating Musical Futures: Challenges to Music Education in the 21st Century, Byron Bay.
Brown, Andrew R. (1995) Digital Technology and the Study of Music. International Journal of Music Education 25(1):pp. 14-19.
Livingstone, Steven R. and Brown, Andrew R. (2005) Dynamic Response: Real-Time Adaptation for Music Emotion. In Proceedings Second Australasian conference on Interactive entertainment 123, pages pp. 105-111, Sydney.
Schwartz, Barry and Arterial Partners, - and Armstrong, Keith M. (2001) Elektrosonic Interference.
Davidson, Robert A. (2001) ELISION: sonic gastronomy. Real Time + OnScreen.
Mafe, Daniel J. and Brown, Andrew R. (2006) Emergent Matters: Reflections on Collaborative Practice-led Research. In Proceedings Speculation and Innovation, QUT Brisbane, Australia.
Hewitt, Donna G. (2003) EMIC - Compositional experiments and real-time mapping issues in performance. In Vickery, Lindsay, Eds. Proceedings Australasian Computer Music Association Conference 2003 - Converging Technologies, pages pp. 96-104, Western Australian Academy of Performing Arts at Edith Cowan University, Perth, Australia.
Hewitt, Donna G. and Stevenson, Ian (2003) Emic - Extended Mic-stand Interface Controller. In Thibault, Francois, Eds. Proceedings New Interfaces for Musical Expression NIME-03, pages pp. 122-128, McGill University- Montreal, QC, Canada.
Brown, Andrew R. and Dillon, Steven C. (2006) ePortfolios in Arts Learning and Assessment. Music Education Research and Innovation 12(1):pp. 7-36.
Dillon, Steven C. (2007) Examining meaningful engagement: Musicology and virtual music making environments. In Proceedings ISLANDS - Conference of the Australian and New Zealand Musicological Societies, Brisbane.
Brown, Andrew R. (2005) Extending Dynamic Stochastic Synthesis. In Proceedings International Computer Music Conference, pages pp. 111-114, Barcelona, Spain.
Brown, Andrew R. (2005) Extending Dynamic Stochastic Synthesis. In Proceedings International Computer Music Conference, pages pp. 111-114, Barcelona, Spain.
Davidson, Robert A. (2001) Folio of compositions with critical commentary . PhD thesis, Faculty of Music, University of Queensland.
Bruns, Axel (2008) Futures for Webcasting: Regulatory Approaches in Australia and the U.S., in Bloustien, Gerry and Peters, Margaret and Luckman, Susan, Eds. Sonic Synergies: Music, Technology, Community, Identity, chapter 2, pages pp. 25-34. Ashgate.
Brown, Andrew R. (2005) Generative Music in Live Performance. In Opie, Timothy T. and Brown, Andrew R., Eds. Proceedings Australasian Computer Music Conference, pages pp. 23-26, Brisbane.
Starrs, D. Bruno (2008) Graham Tardif and the aural auteur. RealTime+Onscreen(85):27.
Brown, Andrew R. (2001) How the computer assists composers: A survey of contemporary practise. In Knowles, Julian, Eds. Proceedings Australasian Computer Music Conference, pages pp. 9-16, University of Western Sydney.
McCombe, Christine (2001) Imagining space through sound. In Proceedings UK and Ireland Soundscape Community Conference: Sound Practice, Dartington, Devon, UK.
Livingstone, Steven R. and Brown, Andrew R. and Muhlberger, Ralf (2005) Influencing the Perceived Emotions of Music with Intent. In Innocent, Troy, Eds. Proceedings 3rd Iteration, pages pp. 161-170, Melbourne.
Brown, Andrew R. and Sorensen, Andrew C. (2000) Introducing jMusic. In Brown, Andrew R. and Wilding, Richard, Eds. Proceedings Australasian Computer Music Conference, pages pp. 68-76, QUT, Brisbane, Australia.
Dillon, Steven C. (2006) jam2jam: Networked Improvisational Musical Environments
, in Leung, Bo Wah and Moore, Marvelene, Eds. School Music and Teacher Education: A Global Perspective in the New Century, pages pp. 19-30. Hong Kong: Department of CAPE, the Hong Kong Institute of Education & International Society for Music Education (ISME).
Davidson, Robert A. (1998) Joy - a composition for three or more voices or instruments.
Davidson, Robert A. (2007) Jump for solo bass clarinet.
Davidson, Robert A. (1994) Junction Rd for soprano saxophone, violin, viola, double bass and piano.
Davidson, Robert A. (2000) Landscape for guitar and string quartet.
Knowles, Julian D. (2008) Liminal Electronic Musics: Post-Punk Experimentation in Australia in the 1970s-1980s
. In Wilkie, Sonia and Hood, Anthony, Eds. Proceedings 'Sound : Space' Australasian Computer Music Conference, 2008, pages pp. 37-45, Sydney Conservatorium of Music, University of Sydney.
Gifford, Toby M. and Brown, Andrew R. (2008) Listening for noise: An approach to percussive onset detection. In Wilkie, Sonia and Hood, Anthony, Eds. Proceedings Sound : Space - The Australasian Computer Music Conference, pages pp. 19-24, Sydeny.
Davidson, Robert A. (2001) Louis Andriessen & Orkest de Volharding:seeing is hearing. Real Time + OnScreen.
Davidson, Robert A. and Davidson, Kylie J. and Powell, Christa M. and Hoey, Bernard and Babbage, John R. (2007) Lucid Dreaming.
Dillon, Steven C. (2007) Maybe we can find Some Common Ground: Indigenous Perspectives, a Music Teacher's Story . Australian Journal of Indigenous Education 36S:pp. 59-65.
Davidson, Robert A. (2000) McLibel.
Hedemann, Callum L. and Sorensen, Andrew C. and Brown, Andrew R. (2008) Metascore: User Interface Design for Generative Film Scoring. In Wilkie, Sonia and Hood, Anthony, Eds. Proceedings Sound : Space - The Australasian Computer Music Conference, pages pp. 25-30, Sydney.
Dillon, Steven C. (2004) Modelling, meaning through software design. In Stevens, Robyn and Russell Bowie, Deidre, Eds. Proceedings Australian Association for Research in Music Education, Tweed Heads, New South Wales.
Brown, Andrew R. (2001) Modes of Compositional Engagement. Mikropolyphony 6.
Dillon, Steven C. (2007) Music Meaning and Transformation: meaningful music making for life. Cambridge Scholars Publishing.
Flew, Terry (2003) Music, Cities and Policy: A Brisbane Experience. In Proceedings Sonic Synergies, Creative Cultures, University of South Australia, Adelaide.
Dillon, Steven C (2007) Music, Meaning and Transformation:meaningful music making for life. In Murillo, Javier and Molina, Emilio, Eds. Proceedings 26th International Society for Music Education Conference,, Tenerife, Spain..
Arthurs, Andrew C. and Vella, Richard J. (2000) Musical Environments: A Manual for Listening, Improvising and Composing. Special Topics and Appendix 2, in Musical Environments. Currency Press Ltd.
Brown, Andrew R. and Dillon, Steven C. (2007) Networked Improvisational Musical Environments: learning through online collaborative music making, in Finney, John and Burnard, Pamela, Eds. Teaching Music in the Digital Age, chapter 9. Continuum International Publishing Group.
Davidson, Robert A. (2001) New opera takes us into ourselves. In The Courier Mail, 16 August 2001 pages pp. 19-19, Newscorp.
Davidson, Robert A. and Connolly, Gerry and Powell, Christa M. and Patterson, Michael D. and Davidson, Kylie J. and Babbage, John R. (2007) North of the Border.
Davidson, Robert A. (2001) Now Hear This. In 24 Hours(306) pages pp. 12-12, Australian Broadcasting Corporation.
Brown, Andrew R. (2002) Opportunities for Evolutionary Music Composition. In Doornbusch, Paul, Eds. Proceedings Australasian Computer Music Conference, pages pp. 27-34, Melbourne.
Livingstone, Steven R. and Brown, Andrew R. and Muhlberger, Ralf (2005) Playing With Affect: Music performance with awareness of score and audience. In Opie, Tim and Brown, Andrew R., Eds. Proceedings Australasian Computer Music Conference, pages pp. 89-95, Brisbane, Australia.
Brown, Andrew (2004) Playing with Dynamic Sound. In Edmonds, Ernest and Gibson, Ross, Eds. Proceedings Interaction: System, Practice, Theory, pages pp. 435-450, Sydney, Australia.
Burnard, Pamela and Dillon, Steven C. and Rusinek, Gabriel and Saether, Eva (2007) Promoting social inclusion in music education - International comparisons of key issues of teaching and learning as perceived by music teachers from four countries . In Proceedings Research in Music Education, Exeter , UK.
Cox, Stephen D. and Ninan, Abraham and Hearn, Gregory N. and Roodhouse, Simon C. and Cunningham, Stuart D. (2004) Queensland Music Industry Basics: People, Businesses and Markets. Technical Report, CIRAC, Queensland University of Technology, Kelvin Grove, Queensland.
Ninan, Abraham and Oakley, Kate and Hearn, Gregory N. (2004) Queensland Music Industry Trends: Independence Day?. Technical Report, CIRAC, Creative Industries Faculty, Queensland University of Technology.
Rogers, Ian K. and Ninan, Abraham and Hearn, Gregory N. and Cunningham, Stuart D. and Luckman, Susan H. (2004) Queensland Music Industry Value Web: From the Margins to the Mainstream. Technical Report, CIRAC, Creative Industries Faculty, QUT.
Dillon, Steven C. and Brown, Andrew R. (2007) Realising the possibilities of technology in music
education research and philosophy
. In Proceedings Fifth International Research in Music Education Conference, Exeter, UK.
Davidson, Robert A. (2008) Round Roads: a symphonic poem for six ensembles.
Arthurs, Andrew C. (2006) Same Difference: Transdisciplinary Concepts and Skills in Artistic Practice to Minimise Communication Breakdown in Art Practice when Misusing a Common Language. Contemporary Music Review 25(4):pp. 367-378.
Dillon, Steven C. (2004) Save to DISC: documenting innovation in music learning. In Stevens, Robyn and Russell Bowie, Deidre, Eds. Proceedings Australian Association for Research in Music Education, Tweed Heads, New South Wales.
Knowles, Julian D. and Fahey, Shane and Rue, Rik (2007) Social Interiors 'Spatial Circumference'.
Brown, Andrew R. (2007) Software Development as Music Education Research. International Journal of Education & the Arts 8(6).
Davidson, Robert A. (2001) Sound and Fury . 24 Hours(310):72.
Knowles, Julian D. (2007) Sound Art and the Extended University. In Realtime(80) pages pp. 24-24, Open City.
Burgess, Jean E. (2005) Sounds in Social Space: Topology and Their Audience as a Subculture. Sounds Australian Journal 65.
Arthurs, Andy C. and Vella, Richard J. (2003) Sounds in Space, Sounds in Time, in Sounds in Space. Sounds in Time, chapter The topics are marbled on 31 pages throughout the book -13% of the book, pages pp 21 ; 26 ; 33 ; 40-41 ; 53. Boosey & Hawkes Music Publishers.
Brown, Andrew R. and Towsey, Michael W. and Wright, Susan K. and Deiderich, Joachim (2001) Statistical Analysis of the features of diatonic music using jMusic software. In Proceedings Computing ARTS 2001 – Digital resources for research in the Humanities, pages pp. 1-11, Sydney, Australia: The University of Sydney..
Davidson, Robert A. (1996) String Quartet.
Hewitt, Donna G. and Hood, Anthony (2006) Studio Report – Sydney Conservatorium of Music, University of Sydney. In Wilkie, Sonia and Haines, Christian, Eds. Proceedings Meditations Australasian Computer Music Conference 2006, pages pp. 201-203, University of Adelaide, Adelaide, South Australia.
Brown, Andrew R. (1994) Teaching Synthesizer Performance. Research Studies in Music Education -(3):pp. 25-35.
Davidson, Robert A. (2002) Terry Riley, in Sitsky, Larry, Eds. Music of the Twentieth-Century Avant-Garde: A Biocritical Sourcebook, pages pp. 391-397. Greenwood Press.
Davidson, Robert A. (2001) Thank you for the music. In 24 Hours(304) pages pp. 20-21, Australian Broadcasting Corporation.
Gifford, Toby M. and Brown, Andrew R. (2006) The Ambidrum: Automated Rhythmic Improvisation. In Proceedings Australasian Computer Music Conference, pages pp. 44-49, Adelaide, Australia.
Brown, Andrew R. (1996) The Art of Engaging: Implications for computer music systems. In Brown, Andrew R., Eds. Proceedings Australian Computer Music Conference, pages pp. 27-35, Brisbane, Australia.
Davidson, Robert A. (1998) The Elena interview : Robert Davidson interviews composer Elena Kats-Chernin. In Music Forum, 4(2) pages pp. 16-19, Music Council of Australia.
Brown, Andrew and Jenkins, Greg (2004) The Interactive Dynamic Stochastic Synthesizer. In Norris, Michael, Eds. Proceedings Australasian Computer Music Conference, pages pp. 18-22, Wellington, New Zealand.
Hewitt, Donna G. (2006) The Mill on the Floss: A Case Study in the use of Voice and Electronics in the Theatre. In Wilkie, Sonia and Haines, Christian, Eds. Proceedings Australasian Computer Music Conference - ACMC-06, pages pp. 77-82, Adelaide Elder Conservatorium.
Brown, Andrew R. and Wooller, Rene W. and Kate, Thomas (2007) The Morph Table: A collaborative interface for musical interaction. In Riddel, Alistair and Thorogood, Alex, Eds. Proceedings Australiasian Computer Music Conference, pages pp. 34-39, Canberra, Australia.
Dillon, Steve C. (2005) The music teacher as Cultural Manager (English translation from Spanish)Construir comunidades culturalmente sostenibles mediante actividades musicales expresivas. Revista Electronica Complutense de Investigacion en Educacion Musical 2(3).
Arthurs, Andy and Radbourne, Jennifer J. (2007) The orchestra re-imagined. In Grant, Catherine, Eds. Proceedings National Council for Tertiary Music Schools (NACTMUS) National Conference 2007, Music in Australian Tertiary Institutions, Issues for the 2st Century, pages pp. 1-22, Queensland Conservatorium Griffith University, Brisbane, Australia.
Starrs, D. Bruno (2007) The Seven Streams of the River Ota, in Cody, Gabrielle H. and Sprinchorn, Evert, Eds. The Columbia Encyclopedia of Modern Drama, pages pp. 1214-1215. Columbia University Press.
Davidson, Robert A. and Davidson, Kylie J. and Hoey, Bernard and Powell, Christa M. and Babbage, John R. and Griswold, Erik M. and Tomlinson, Vanessa (2007) The Seven-headed Music Machine.
Brown, Andrew R. (1999) Tools and Outcomes: Computer music systems and musical directions. In Proceedings Australasian Computer Music Conference 1999, pages pp. 9-16, Wellington, New Zealand.
Davidson, Robert A. and Simmons, Tara E. and Powell, Christa M. and Hoey, Bernard and Babbage, John R. and Griswold, Erik M. (2007) Topology and Tara Simmons.
Armstrong, Keith M. (2003) Towards an Ecosophical Praxis of New Media Space design. PhD Thesis, Creative Industries, QUT.
Towsey, Michael W. and Brown, Andrew R. and Wright, Susan K. and Diederich, Joachim (2001) Towards melodic extension using genetic algorithms
. Educational Technology & Society 4(2):pp. 54-65.
Davidson, Robert A. (2007) Tune.
Davidson, Robert A. (2007) Vague Memories 1 for clarinet/bass clarinet, violin, two guitars, double bass, percussion and piano.
Davidson, Robert A. (2007) Vague Memories 2 for clarinet/bass clarinet, violin, two guitars, double bass, percussion and piano.
Gerber, Anna M. and Brown, Andrew R. (2006) Visualising Music with Impromptu. In Proceedings Australasian Computer Music Conference, pages pp. 38-43, Adelaide, Australia.
Dillon, Steven C. and Chapman, James N. (2005) Without a Song you are Nothing' Songwriter's Perspectives on Indigenising Tertiary Music and Sound Curriculum, in Drummond, John and Sheehan Campbell, Patricia and Dunbar Hall, Peter, Eds. Cultural diversity in music education : directions and challenges for the 21st century, pages pp. 189-198. Australian Academic Press.
Brennan, Marc A. (2002) Yet Another Reason to Hate Oasis: Circulation and Branding in the UK Music Press. In Crowdy, Denis and Homan, Shane and Mitchell, Tony, Eds. Proceedings Musical In-Between-Ness: The Proceedings of the 8th IASPM Australia - New Zealand Conference, pages pp. 76-81, Sydney, Australia.
This list was generated on Thu Jul 24 12:38:01 EST 2008.
