Browse By Person: Hadley, Bree
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Number of items: 153.
Book
Hadley, Bree J. & McDonald, Donna, (Eds.)
(2018)
The Routledge Handbook of Disability Arts, Culture, and Media.
Routledge International Handbooks.
Routledge, London & New York.
Hadley, Bree J.
(2014)
Disability, public space performance & spectatorship : Unconscious performers.
Palgrave Macmillan, Houndsmouth, United Kingdom.
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Hadley, Bree J. & Heim, Caroline L.
(2012)
Compass points : the locations, landscapes and coordinates of identities in contemporary performance making : proceedings of the Australasian Association for Theatre, Drama & Performance Studies (ADSA) Conference 2012.
Queensland University of Technology, Brisbane, Qld.
Book Chapter
Hadley, Bree J.
(2019)
Advocacy, Allies and ‘Allies of Convenience’ In Performance and Performative Protest.
In
Eckersall, P. & Grehan, H. (Eds.) Routledge Companion to Theatre and Politics.
Routledge, London & New York, pp. 85-88.
Hadley, Bree J.
(2018)
Disability Arts in an Age of Austerity.
In
The Routledge Handbook of Disability Art, Culture, and Media Studies.
Routledge, Londong & New York, pp. 347-361.
Hadley, Bree J. & McDonald, Donna
(2018)
Introduction: Disability Arts, Culture, and Media Studies: Mapping a Maturing Field.
In
The Routledge Handbook of Disability Arts, Culture, and Media.
Routledge, London & New York, pp. 1-18.
Hadley, Bree J.
(2018)
Plain language summary.
In
The Routledge Handbook of Disability Arts, Culture, and Media Studies.
Routledge, London & New York, pp. 373-383.
Hadley, Bree J., McDonald, Donna, Austin, Sarah, Duncan, Kath, Goggin, Gerard, Macdowell, Lachlan, et al.
(2018)
Practicing Interdependency, Accepting Complexity, Sharing Vulnerability: The Future Of Disability Arts, Culture, and Media Research.
In
The Routledge Handbook of Disability Art, Culture, and Media Studies.
Routledge, London & New York, pp. 362-372.
Hadley, Bree J.
(2018)
Disability, Disabled Dance Audiences and the Dilemma of
Neuroaesthetic Approaches to Perception and Interpretation.
In
Whatley, Sarah, Waelde, Charlotte, Harmon, Shawn, Brown, Abbe, Wood, Karen, & Blades, Hetty (Eds.) Dance, Disability, and Law: Invisible Difference.
Intellect, Bristol & Chicago, pp. 293-315.
Hadley, Bree J.
(2017)
Putting prejudices on the spot and in the spotlight: The risks of politically motivated public space performance practices.
In
O,Grady, Alice (Ed.) Risk, Participation, and Performance Practice: Critical Vulnerabilities in a Precarious World.
Palgrave Macmillan, London, pp. 57-78.
Hadley, Bree
(2014)
Practice as Method : The Ex/centric Fixations Project.
In
Barrett, Estelle & Bolt, Barbara (Eds.) Material Inventions: Applying Creative Arts Research.
I.B.Tauris & Co Ltd, London, United Kingdom, pp. 145-165.
Hadley, Bree J. & Heim, Caroline L.
(2012)
Navigating the field of contemporary performance.
In
Compass Points : The Locations, Landscapes and Coordinates of Identities in Contemporary Performance Making.
Queensland University of Technology, Brisbane, Qld.
Hadley, Bree J.
(2008)
Reality just arrived - Mark Ravenhill's 'Faust is Dead'.
In
Fitzsimmons, Lorna (Ed.) International Faust Studies: Adaptation, Reception, Translation.
Continuum, London, pp. 258-275.
Journal Article
Hadley, Bree J., Dionysius, Katherine, & Boulton, Sarah
(2019)
Vis-Ability: Audio descriptions.
Vis-Ability Exhibition Catalogue, May, pp. 45-53.
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Hadley, Bree J. & Goggin, Gerard
(2019)
THE NDIS AND DISABILITY ARTS IN AUSTRALIA:
OPPORTUNITIES & CHALLENGES
The NDIS and Disability Arts in Australia: Opportunities and Challenges.
Australasian Drama Studies, 74(April).
(In Press)
Hadley, Bree J.
(2017)
Disability theatre in Australia: A survey and a
sector ecology.
Research in Drama Education: The Journal of Applied Theatre and Performance, 22(3), pp. 305-324.
2
2
Hadley, Bree J.
(2017)
Disability, sustainability, austerity: The Bolshy Divas’ arts-based protests against policy paradoxes.
CSPA Quarterly, 18, pp. 34-37.
Hadley, Bree J. & Crystal, Clark
(2017)
Style, stage presence, and the poetic subversion of stereotypes: A case study of Blue Roo Theatre Company.
Social Alternatives, 36(4), pp. 15-21.
Hadley, Bree
(2016)
Mobilising the mobilities paradigm in drama, theatre and performance studies: Potentials, politics and pitfalls.
Australasian Drama Studies, 69, pp. 7-28.
Hadley, Bree J.
(2016)
Cheats, charity cases and inspirations: Disrupting the circulation of disability-based memes online.
Disability & Society, 31(5), pp. 676-692.
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Hadley, Bree J.
(2015)
Improvising a future in the performing arts: The benefits of reframing performing arts entrepreneurship education in familiar terms.
Liminalities: A Journal of Performance Studies, 11(4), pp. 1-17.
Hadley, Bree
(2015)
Participation, politics and provocations: People with disabilities as non-conciliatory audiences.
Participations: Journal of Audience and Reception Studies, 12(1), pp. 154-174.
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Hadley, Bree
(2013)
Review : Kirsty Johnston, Stage Turns: Canadian Disability Theatre. Montreal: McGill University Press, 2012. ISBN 978-0-7735-3994-2.
Canadian Journal of Disability Studies, 2(1), pp. 104-110.
Hadley, Bree , Kapur, Anuradha, Ruiz, Clarisa, & Wrigley, Sheena
(2013)
Vision, Viability and Value: Three perspectives on the performing arts across cultures, context and nations.
Performance Research, 18(2), pp. 95-101.
Hadley, Bree J.
(2012)
Self-making as public spectacle : bodies, bodily training and reality TV.
Scope : An Online Journal of Film Studies, 24.
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395
Hadley, Bree J. & Gattenhof, Sandra Jane
(2012)
Brokering evaluations of partnerships in Australian community arts : responding to entrepreneurial tendencies.
Journal of Arts and Communities (JAAC), 4(3), pp. 231-249.
361
361
Makeham, Paul B., Hadley, Bree J., & Kwok, Joon-Yee
(2012)
A ‘Value Ecology’ approach to the performing arts.
M/C Journal, 15(3).
247
247
Hadley, Bree
(2012)
Using information communication technologies to develop dynamic curriculum frameworks for diverse cohorts: a case
study from event management.
Journal of Further & Higher Education, 36(2), pp. 263-290.
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Hadley, Bree J.
(2011)
Creating successful cultural Brokers : the pros and cons of a community of practice approach in arts management education.
Asia Pacific Journal of Arts and Cultural Managemen, 8(1), pp. 645-659.
Hadley, Bree J.
(2011)
(Dia)logics of difference disability, performance and spectatorship in Liz Crow's Resistance
on the Plinth.
Performance Research, 16(2), pp. 124-131.
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Gattenhof, Sandra J. & Hadley, Bree J.
(2011)
Measurable progress? Teaching artsworkers to assess and articulate the impact of their work.
M/C Journal, 14(6).
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98
Hadley, Bree J.
(2011)
Re-constructing Asianness in Australia : Yumi Umiumare, Owen Leong, and the remobilisation of monstrosity.
Liminalities: A Journal of Performance Studies, 7(3), pp. 1-13.
Hadley, Bree , Rajak, Jelena, Filmer, Andrew, Caines, Rebecca, & Read, Alan
(2010)
The 'Dirty Work' of the Lie.
The 'Dirty Work' of the Lie, 15(2), pp. 123-129.
174
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Hadley, Bree J., Trace, Genevieve, & Winter, Sarah
(2010)
Uncertainties that matter: Risk, response-ability, ethics and the moment of exchange in live art.
About Performance, 10, pp. 137-151.
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Hadley, Bree J. & Caines, Rebecca
(2009)
Negotiating selves: exploring cultures of disclosure.
MC Journal, 12(5).
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Hadley, Bree J.
(2008)
Influences, institutions and outcomes : a survey of masters and doctoral theses on actor training in Australia, 1979-2004.
Australasian Drama Studies, 53(October 2008), pp. 8-16.
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558
Hadley, Bree J.
(2008)
Mobilising the monster: modern disabled performers' manipulation of the freakshow.
M/C Journal, 11(3).
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Hadley, Bree J.
(2007)
Unthinkable complexity : dance, datascapes and the desire to connect in Lucy Guerin's Aether.
Brolga, 27, pp. 17-25.
Hadley, Bree J.
(2007)
Dis/identification in contemporary physical performance: NYID's scene of the beginning from the end.
Australasian Drama Studies, 50, pp. 111-122.
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Conference Paper
Hadley, Bree J.
(2015)
Disability performance in Australia. In
Disability/Culture: New Grounds: A Practice-Based Research Symposium, 3-6 February 2015, Ann Arbor, Michigan. (Unpublished)
Hadley, Bree J.
(2015)
Performing immobility / protesting immobility:
The risks & rewards of public space protest performances. In
Hadley, Bree J. (Ed.)
Performing Mobilities - PSi#21 Fluid States: Performances of Unknowing, 8-11 October 2015, University of Melbourne / RMIT, Melbourne, Australia. (Unpublished)
Hadley, Bree
(2015)
Performing immobility / protesting immobility:
The risks & rewards of public space protest performances. In
IFTR Conference 2015: Performing Democracy, 4-8 July 2015, University of Hyderabad, Hyderabad, India. (Unpublished)
Hadley, Bree
(2015)
The prankster’s passion: Using theatrical terms to unpack players motivations in popular social performance. In
ADSA Conference - Revisiting The Player’s Passion: The Science(s) of Acting in 2015, 23-26 June 2015, University of Sydney, Sydney, NSW. (Unpublished)
Hadley, Bree J.
(2015)
Reengaging, reenacting and reenvisaging discourses of disaster through public space performance: Austerity, art, and the art of protest. In
On Tilted Earth - PSi#21 Fluid States: Performances of Unknowing, 5-8 November 2015, La Salle University, Manila, Philipines. (Unpublished)
Hadley, Bree
(2015)
Theatre, networked performance, and notions of ‘democratised’ spectatorship. In
Fluid States North - PSi #21 Fluid States: Performances of UnKnowing, 18-21 June 2015, University of Copenhagen, Copenhagen, Denmark. (Unpublished)
Hadley, Bree J.
(2014)
Theatre, co-creativity & co-creative spectatorship. In
Zooming Fluid States Festival, 3-7 September 2014, Rijeka, Croatia. (Unpublished)
Hadley, Bree J.
(2014)
Playing Pranks: Traditions, communities & co-creative cultural performance practice. In
Avant Garde, Tradition, Community - Performance Studies international (PSi) Conference 2014, 4-8 July 2014, Shanghai Theatre Academy, Shanghai. (Unpublished)
Hadley, Bree J.
(2014)
Social media, audiences, and audience co-creativity in
contemporary performance: Restoring balance? In
Restoring Balance - Australasian Association for Drama, Theatre & Performance Studies Conference 2014, 23-27 June 2014, Victoria University of Wellington, Wellington, NZ. (Unpublished)
Hadley, Bree J.
(2013)
Theatre, social media and spectatorship : translating commentary, critique and controversy across media. In
Staging Changes : Translation as Innovation and Intervention, Australasian Association for Theatre, Drama & Performance Studies (ADSA 2013), 9-12 July 2013, Flinders University, Adelaide, SA. (Unpublished)
Hadley, Bree J.
(2013)
Ruptured relations : guerrilla theatre, time & Pranksterish disability performance practice. In
Now Then : Performance & Temporality, Performance Studies international (PSi) Conference 2013, 25-29 June 2013, Stanford University, CA. (Unpublished)
Hadley, Bree J.
(2012)
Engaging Noemi Lakmeier's living installations : the ethics of embarrassment. In
Australasian Association for Theatre, Drama and Performance Studies 2012 : Compass Points - The Locations, Landscapes and Coordinates of Identities , 3-6 July 2012, Queensland University of Technology, Brisbane, QLD. (Unpublished)
Hadley, Bree J.
(2012)
Improvising a future in the performing arts : a new strategy to help performance studies students successfully shift between academic culture, professional culture, industry and career? In
Performance - Culture - Industry, Performance Studies internaitonal (PSi) Conference 2012, 27 June - 1 July 2012, University of Leeds, England. (Unpublished)
Hadley, Bree J.
(2011)
Do you see what I mean? charting changing representations and receptions of the disabled body in contemporary and pop cultural performance. In
Hadley, Bree J. (Ed.)
Australasian Association for Theatre Drama & Performance Studies Conference 2011, 28 June - 1 July 2011, Monash University, Melbourne, Vic. (Unpublished)
Hadley, Bree J.
(2011)
The Ex/centric fixations project # 2 - Memory, language and polyvocal performative writing. In
Performance Studies International (PSi) Conference 2011, 25-29 May 2011, Utrecht University, Utrecht. (Unpublished)
Hadley, Bree J.
(2011)
“That you would post such a thing implies that you are a despicable human being”: spectatorship, social media, &
the struggle for meaning in disability performance. In
Performance Studies International (PSi) Conference 2011, 25-29 May 2011, Utrecht University, Utrecht. (Unpublished)
Hadley, Bree
(2010)
Paving for diverse pathways : using industry-linked learning to support Performing Arts students in their transition to protean careers. In
Paving for diverse pathways, Canberra, Australia.
Hadley, Bree
(2010)
(Dia)logics of difference : disability, performance & spectatorship. In
Performance Studies international (PSi) Conference 2010, June 2010, Toronto, Canada. (Unpublished)
Hadley, Bree
(2010)
Stripping Sight Bare : Alison Jones’ ‘Portraits by Proxy’. In
Australasian Association for Drama Theatre and Performance Studies (ADSA) Conference 2010, July 2010, Canberra, Australia. (Unpublished)
Hadley, Bree J.
(2009)
Practice as method : the ex/centric fixations project. In
Material Interventions : Applying Creative Research, 30 November - 1 December 2009, Deakin University, Melbourne. (Unpublished)
Hadley, Bree J.
(2009)
Celebrating difference/censoring difference? : Marie Chouinard’s bODY rEMIX. In
Silent Voices, Hidden Lives: Performance and Censorship, International Federation of Theatre Research / Federation International de la Recherche Theatrale Conference 2009, 14-18 July 2009, University of Lisbon, Lisbon. (Unpublished)
Hadley, Bree J., Trace, Genevieve, & Winter, Sarah
(2009)
The moment of exchange : risk, vulnerability, responsibility. In
Australasian Association for Drama, Theatre and Performance Studies Conference 2009 : Boom or Bust, 30 June - 3 July 2009, Edith Cowan University, Perth, Western Australia. (Unpublished)
Hadley, Bree J.
(2009)
Duplicity/complicity : misperforming the social drama of disability. In
PSI 15 : Misperformance : Misfitting, Misfiring, Misreading, Performance Studies international Conference #15, June 24-28, 2009, University of Zagreb, Zagreb, Croatia. (Unpublished)
Hadley, Bree J.
(2008)
Encountering in between bodies : complicity, proximity and the crisis of meaning. In
Interregnum : in between states : the 14th performance studies international conference, August 20-24 2008, University of Copenhagen, Copenhagen, Denmark. (Unpublished)
Hadley, Bree J.
(2008)
Body, space, self : locating and dis-locating subjectivities in contemporary performance. In
Turangawaewae/A sense of place : Australasian Drama Studies Conference, 30 June – 3 July 2008, University of Otago, Dunedin, New Zealand. (Unpublished)
Hadley, Bree J.
(2008)
During and enduring : forced entertainment's bloody mess and the phenomenon of time in performance. In
Maxwell, Ian (Ed.)
Being There: After-Proceedings of the 2006 Conference of the Australasian Association for Drama, Theatre and Performance Studies, University of Sydney, University of Sydney, pp. 1-10.
Hadley, Bree J., Richards, Allison, & Guthrie, Adrian
(2008)
Ma-cinations : finding a place for collaborative practice. In
Turangawaewae/A sense of place : Australasian Association for Drama, Theatre and Performance Studies Conference, June 30-July 3 2008, University of Otago, Dunedin, New Zealand. (Unpublished)
Hadley, Bree J.
(2008)
Recognition, misrecognition and the crisis of meaning : the risky mechanics of staging the 'monstrous'. In
Re-constructing Asian-ness(es) in the global age : International Federation of Theatre Research/Federation International de la Recherche Theatrale Conference, July 14-19 2008, Chung-Ang University, Seoul, Korea. (Unpublished)
Hadley, Bree J., Cochrane, Bernadette, Kennedy, Flloyd, & Kehoul, Gillian
(2008)
Where does practice live? How a magdamodel helped develop a sense of belonging between practitioners and academic researchers [PANEL]. In
Turangawaewae/A sense of place : Australasian Association for Drama, Theatre and Performance Studies Conference, June 30-July 3 2008., University of Otago, Dunedin, New Zealand. (Unpublished)
Hadley, Bree J.
(2007)
But they can't just be handing out flyers : real-life learning on the Brisbane festivals scene. In
ATN Evaluation & Assessment Conference, 28-29 November 2007, Queensland University of Technology, Brisbane, Australia. (Unpublished)
Hadley, Bree J.
(2007)
With a vengeance : staging identity in contemporary performance. In
Extreme states : issues of scale : political, performative, emotional : Australasian Association for Drama, Theatre and Performance Studies Conference, 3-6 July 2007, University of Melbourne/LaTrobe University, Melbourne, Australia. (Unpublished)
Hadley, Bree J.
(2007)
Staging Asian-Australian identities. In
The 2nd Asian-Australian Identities : Asian-Australian Studies Research Network Conference, June 27-30 2007, University of Melbourne, Melbourne, Australia. (Unpublished)
Hadley, Bree J.
(2007)
Virtuosity/discipline/docility. In
Somatechnics Conference 2007, April 19-21, 2007, Macquarie University, Sydney, Australia. (Unpublished)
Hadley, Bree J.
(2007)
Partnerships, social capital and the successful management of small scale cultural festivals: A case study of Hobart’s Antarctic Midwinter Festival. In
Re-eventing the city/town: Events as catalysts for social change, Fourth International Event Research Conference, 10th-12th July 2007, University of Technology Sydney and Victoria University, Melbourne, 10th-12th July 2007.
Hadley, Bree J.
(2005)
Yumi Umiumare – Choreographic challenges to (mis)conceptions of Asianness in Australia. In
Journeys to the Interior: Australasian Association for Drama, Theatre and Performance Studies (ADSA) Annual Conference 2005, 4th-7th July 2005, Charles Sturt University, Wagga Wagga, 4th-7th July 2005. (Unpublished)
Conference Item
Hadley, Bree J.
(2017)
Performing allydom: Pranks, social performance, and the claiming of 'ally’ status. In
Australasian Association for Drama, Theatre, and Performance Studies (ADSA 2017), 27-30 June 2017, University of Auckland, New Zealand. (Unpublished)
Hadley, Bree J.
(2017)
The social experiment – Pranks, political activism, and performing stigma. In
American Society for Theater Research, 16-19 November 2017, Atlanta, Georgia. (Unpublished)
Hadley, Bree
(2016)
The social experiment – pranks, political activism, and performing stigma. In
Luckhurst, Mary (Ed.)
Performance and Challenging Stigma, 21 October 2016, Victorian College of the Arts, Melbourne, VIC.
Hadley, Bree J.
(2016)
Mapping changing theatre climates. In
Performance Climates, Performance Studies International (PSi) #22, 5-9 July 2016, University of Melbourne, VIC.
Hadley, Bree J.
(2016)
Austerity, art, and the art of protest: Reengaging, reenacting and reenvisaging discourses of disaster through public space performance. In
Australasian Association for Theatre, Drama and Performance Studies Conference - Resilience: Revive, Restore, Reconnect, 21-24 June 2016, University of Southern Queensland, Toowoomba, QLD.
Hadley, Bree J.
(2016)
It’s a social experiment – pranks, political activism, and performing marginality for a politically correct mainstream audience. In
Performance of the Real: Postgraduate and Early Career Researcher Symposium, 8-10 June 2016, University of Otago, New Zealand.
Hadley, Bree
(2015)
The last avant-garde?: Disability arts and (rethinking) mobility. In
Performing Mobilities - PSi#21 Fluid States: Performances of Unknowing, 8-11 October 2015, University of Melbourne / RMIT, Melbourne, VIC. (Unpublished)
Creative Work
Hadley, Bree J.
(2016)
It’s A Social Experiment – Pranks, Political Activism, and Performing Marginality for a Politically Correct Mainstream Audience - Performance Workshop.
[Performance]
Hadley, Bree J.
(2008)
Exist documentation: description of creative works in the International Live Art Event "exist in 08".
[Textual Work]
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Report
Hadley, Bree J.
(2013)
ADSA Performance as Research Guidelines.
Australasian Association for Drama, Theatre & Performance Studies (ADSA).
Gattenhof, Sandra Jane & Hadley, Bree J.
(2011)
Creating Queensland, creative communities partnership - major Brisbane festival & Australia Council for the Arts.
Queensland University of Technology, Brisbane , QLD.
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185
Review
Hadley, Bree J.
(2018)
[Book review] Change the world? Recent writing on theatre, the environment, ecology and change.
Performance Research, 23(3), pp. 135-136.
Hadley, Bree J.
(2014)
The Complex Politics of Care: Needs and interests, norms and desires.
Performance Research: A Journal of the Performing Arts, 19(4), pp. 141-144.
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Hadley, Bree J.
(2012)
Review: "Transfigured Stages : Major Practitioners and Theatre Aesthetics in Australia" by Margaret Hamilton.
Theatre Research International, 37(2), pp. 198-199.
Hadley, Bree J.
(2012)
Colour and Camp Bring Shakespeare’s As You Like It to Life.
The Australian, 27(Feb).
Hadley, Bree J.
(2011)
Four characters stuck inside a mystery [Review].
The Australian, September(26).
Hadley, Bree J.
(2011)
Review of "Christoph Schlingensief : art without borders" edited by Tara Forrest and Anna Teresa Scheer.
Performance Paradigm, 7, pp. 1-5.
Hadley, Bree J.
(2011)
Loss and grief at the heart of text messages [REVIEW].
The AUstralian, June(30).
Hadley, Bree J.
(2011)
An emotional father and son reunion that sometimes is at a loss for words [Review].
The Australian, April(11).
Hadley, Bree J.
(2011)
Contemporary take on Caesar a triumph of style over substance [Review].
The Australian, Feb(21).
Hadley, Bree J.
(2010)
Contemporary take on deconstructed Medea : a review.
The Australian, 23(Nov).
Hadley, Bree J.
(2010)
Textbook portrayal of grieving stereotypes fails to cohere : a review.
The Australian, 30(Aug).
Hadley, Bree J.
(2010)
Teenager loner in a chat room tangled up in guile and guilability : a review.
The Australian, 26(Jul).
Hadley, Bree J.
(2010)
Eschewing the fat: strong production but Neil LaBute below his best : a review.
The Australian, 7(Jun).
Hadley, Bree
(2010)
Independent Brisbane: Four Plays [BOOK REVIEW].
Australasian Drama Studies, 56, pp. 242-244.
Hadley, Bree
(2010)
Hoodie-wearing Hamlet mixes horror with humour in a play for our times [REVIEW].
Hoodie-wearing Hamlet mixes horror with humour in a play for our times [REVIEW], Feb(12).
Hadley, Bree J.
(2008)
Desires and despair given voice in Russian.
Desires and despair given voice in Russian.
Hadley, Bree J.
(2008)
The female of the species by Joanna Murray-Smith [REVIEW].
Australian Stage Online.
Hadley, Bree
(2007)
Review : Anne Bogart, 'And then, you act : making art in an unpredictable world'.
Australasian Drama Studies, 51, pp. 151-153.
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483
Hadley, Bree
(2006)
Review : Peta Tait, Circus Bodies : cultural identity in aerial performance.
Australasian Drama Studies, 48, pp. 252-255.
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Other