Browse By Person: Goldsmith, Ben

Goldsmith, Benedict (2017) Australian screen in the 2000s. Palgrave Macmillan, Switzerland.

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Ryan, Mark & Goldsmith, Benedict (2017) Australian screen in the 2000s: An introduction. In Ryan, M D & Goldsmith, B (Eds.) Australian screen in the 2000s. Palgrave Macmillan, Switzerland, pp. 1-21.

Goldsmith, Benedict (2017) Creative graduate pathways within and beyond the creative industries. Routledge, United Kingdom.

Goldsmith, Benedict & Bridgstock, Ruth (2017) Embedded creative workers and creative work in education. In Hearn, G, Rodgers, J, Goldsmith, B, & Bridgstock, R (Eds.) Creative graduate pathways within and beyond the creative industries. Routledge, United Kingdom, pp. 37-55.

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Bridgstock, Ruth, Goldsmith, Benedict, Rodgers, Jess, & Hearn, Greg (2017) Introduction: Creative graduate pathways within and beyond the creative industries. In Hearn, G, Rodgers, J, Goldsmith, B, & Bridgstock, R (Eds.) Creative graduate pathways within and beyond the creative industries. Routledge, United Kingdom, pp. 1-13.

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Ryan, Mark & Goldsmith, Benedict (2017) Returning to Australian horror film and Ozploitation cinema debate (Introduction). Studies in Australasian Cinema, 11(1), pp. 2-4.

Goldsmith, Benedict, Cunningham, Stuart, & Dezuanni, Michael (2017) Screen production for education: digital disruption in an 'ancillary' market. Media International Australia Incorporating Culture and Policy, 162(1), pp. 65-77.

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Dezuanni, Michael, Cunningham, Stuart, Goldsmith, Benedict, & Miles, Prue (2017) Teachers' curation of Australian screen content for school-based education. Media International Australia Incorporating Culture and Policy, 163(1), pp. 87-96.

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Ryan, Mark & Goldsmith, Benedict (2016) Reviewing Australian screen history (Editorial). Studies in Australasian Cinema, 10(2), pp. 179-183.

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Cunningham, Stuart, Dezuanni, Michael, Goldsmith, Benedict, Burns, Maureen, Miles, Prue, Henkel, Cathy, et al. (2016) Screen content in Australian education: Digital promise and pitfalls. Digital Media Research Centre, Queensland University of Technology, Australia.

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Goldsmith, Ben (2015) Action and adventure. In Ryan, M, Lealand, G, & Goldsmith, B (Eds.) Directory of World Cinema: Australia and New Zealand 2. Intellect Ltd., United Kingdom, pp. 49-53.

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Goldsmith, Ben (2015) Bad Eggs. In Ryan, M, Lealand, G, & Goldsmith, B (Eds.) Directory of World Cinema: Australia and New Zealand 2. Intellect Ltd., United Kingdom, pp. 82-83.

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Goldsmith, Ben (2015) Balibo. In Ryan, M, Lealand, G, & Goldsmith, B (Eds.) Directory of World Cinema: Australia and New Zealand 2. Intellect Ltd., United Kingdom, pp. 178-180.

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Goldsmith, Ben (2015) BMX Bandits. In Ryan, M, Lealand, G, & Goldsmith, B (Eds.) Directory of World Cinema: Australia and New Zealand 2. Intellect Ltd., United Kingdom, pp. 54-55.

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Goldsmith, Ben (2015) The Chain Reaction. In Ryan, M, Lealand, G, & Goldsmith, B (Eds.) Directory of World Cinema: Australia and New Zealand 2. Intellect Ltd., United Kingdom, pp. 184-186.

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Goldsmith, Ben (2015) The Craic. In Ryan, M, Lealand, G, & Goldsmith, B (Eds.) Directory of World Cinema: Australia and New Zealand 2. Intellect Ltd., United Kingdom, pp. 83-85.

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Bridgstock, Ruth, Goldsmith, Ben, Rodgers, Jess, & Hearn, Greg (2015) Creative graduate pathways within and beyond the creative industries. Journal of Education and Work, 28(4), pp. 333-345.

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Goldsmith, Ben (2015) Deathcheaters. In Ryan, M, Lealand, G, & Goldsmith, B (Eds.) Directory of World Cinema: Australia and New Zealand 2. Intellect Ltd., United Kingdom, pp. 56-57.

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Lealand, Geoff (2015) Directory of World Cinema: Australia and New Zealand 2. Directory of World Cinema. Intellect Ltd., United Kingdom.

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Dezuanni, Michael & Goldsmith, Ben (2015) Disciplining the screen through education: the Royal Commission into the Moving Picture Industry in Australia. Studies in Australasian Cinema, 9(3), pp. 298-311.

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Goldsmith, Ben & Bridgstock, Ruth (2015) Embedded creative workers and creative work in education. Journal of Education and Work, 28(4), pp. 369-387.

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Goldsmith, Ben (2015) Fifield faces a hard road to bring Australia's media regulations into the 21st century. The Conversation, October, 2015. [Article]

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Goldsmith, Ben (2015) Ground Zero. In Ryan, M, Lealand, G, & Goldsmith, B (Eds.) Directory of World Cinema: Australia and New Zealand 2. Intellect Ltd., United Kingdom, pp. 182-184.

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Goldsmith, Ben & Ryan, Mark (2015) Introduction. In Ryan, M, Lealand, G, & Goldsmith, B (Eds.) Directory of World Cinema: Australia and New Zealand 2. Intellect Ltd., United Kingdom, pp. 6-15.

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Goldsmith, Ben (2015) Is Foxtel most at risk in the new Game of Screens? The Conversation, 2015. [Article]

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Goldsmith, Ben (2015) 'It's Africa. It's Arizona. It's Antarctica. It's Afghanistan. Actually, it's Alberta': Marketing locations to film producers. In Augros, J, Mingant, N, & Tirtaine, C (Eds.) Film marketing into the twenty-first century. British Film Institute (Palgrave), United Kingdom, pp. 174-184.

Bridgstock, Ruth S., Goldsmith, Ben, Rodgers, Jess, & Hearn, Greg (Eds.) (2015) Journal of Education and Work: Special Issue: Creative Graduate Pathways Within and Beyond the Creative Industries. Vol. 28. [4 ed.]. Taylor and Francis (Routledge).

Goldsmith, Ben (2015) The Killing of Angel Street. In Ryan, M, Lealand, G, & Goldsmith, B (Eds.) Directory of World Cinema: Australia and New Zealand 2. Intellect Ltd., United Kingdom, pp. 188-190.

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McNair, Brian & Goldsmith, Ben (2015) Local content and the ABC. The Conversation, April, 2015. [Article]

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Goldsmith, Ben (2015) Red Hill. In Ryan, M, Lealand, G, & Goldsmith, B (Eds.) Directory of World Cinema: Australia and New Zealand 2. Intellect Ltd., United Kingdom, pp. 218-221.

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Woodford, Darryl, Goldsmith, Ben, & Bruns, Axel (2015) Social media audience metrics as a new form of TV audience measurement. In Lind, R A (Ed.) Produsing theory in a digital world 2.0: The intersection of audiences and production in contemporary theory, Volume 2 [Digital Formations, Volume 99]. Peter Lang Publishing Group, United States of America, pp. 141-158.

Goldsmith, Ben (2015) Sport and the transformation of Australian television. Media International Australia Incorporating Culture and Policy, 2015(155), pp. 70-79.

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Goldsmith, Ben (2015) Telstra on the TV casting couch to trump its telco peers. The Conversation, July, pp. 1-2, 2015. [Article]

Goldsmith, Ben (2015) Thriller. In Ryan, M, Lealand, G, & Goldsmith, B (Eds.) Directory of World Cinema: Australia and New Zealand 2. Intellect Ltd., United Kingdom, pp. 172-177.

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Goldsmith, Ben (2015) Tomorrow, When the War Began. In Ryan, M, Lealand, G, & Goldsmith, B (Eds.) Directory of World Cinema: Australia and New Zealand 2. Intellect Ltd., United Kingdom, pp. 58-60.

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Goldsmith, Ben (2015) Walk into Paradise (aka Walk into Hell). In Ryan, M, Lealand, G, & Goldsmith, B (Eds.) Directory of World Cinema: Australia and New Zealand 2. Intellect Ltd., United Kingdom, pp. 63-65.

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Goldsmith, Ben (2015) What do Netflix, Stan and Presto mean for Australian TV? The Conversation, April, 2015. [Article]

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Goldsmith, Ben (2015) Why a movie tax will make even more of us pirates. The New Daily.

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Woodford, Darryl, Prowd, Katie, Bruns, Axel, Goldsmith, Ben, Harrington, Stephen, & Burgess, Jean (2014) Introducing telemetrics. In IR15 - Boundaries and Intersections, Association of Internet Researchers Conference, 2014-10-21 - 2014-10-24. (Unpublished)

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Goldsmith, Ben & Cunningham, Stuart (2014) Australian screen content in education. In Australian and New Zealand Communications Association Annual Conference, 2014-07-09 - 2014-07-11. (Unpublished)

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Goldsmith, Ben (2014) The apps industry. In Turnbull, S & Cunningham, S (Eds.) The media and communications in Australia, 4th edition. Allen and Unwin, Australia, pp. 339-344.

Goldsmith, Ben (2014) Australia's film industry owes a debt to Gough Whitlam. The Conversation, 2014. [Article]

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Goldsmith, Ben (2014) Australian content. In Griffen-Foley, Bridget (Ed.) A Companion to the Australian Media. Australian Scholarly Publishing, North Melbourne. (In Press)

Cunningham, Stuart, Dezuanni, Michael, & Goldsmith, Ben (2014) Australian screen content in education research project. Screen Education, 73, pp. 94-95.

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Ryan, Mark, Goldsmith, Ben, Cunningham, Stuart, & Verhoeven, Deb (2014) The Australian screen producer in transition. In Meir, C, Spicer, A, & McKenna, A T (Eds.) Beyond the bottom line: The producer in film and television studies. Bloomsbury Academic, United Kingdom, pp. 125-142.

Hearn, Greg, Bridgstock, Ruth, Goldsmith, Ben, & Rodgers, Jess (2014) Creative work beyond the creative industries: An introduction. In Hearn, G, Rodgers, J, Goldsmith, B, & Bridgstock, R (Eds.) Creative work beyond the creative industries: innovation, employment and education. Edward Elgar Publishing, United Kingdom, pp. 1-22.

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Hearn, Greg, Bridgstock, Ruth, Goldsmith, Ben, & Rodgers, Jess (Eds.) (2014) Creative work beyond the creative industries: Innovation, employment and education. Edward Elgar Publishing, United Kingdom.

Goldsmith, Ben (2014) Cut here: reshaping the ABC. The Conversation, pp. 1-3, 2014. [Article]

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Goldsmith, Ben (2014) David Williamson's The Club: football politic, a dirty story. Metro, 179, pp. 101-109.

Goldsmith, Ben, Ward, Susan, & O'Regan, Tom (2014) Dino De Laurentiis and Australia: creating a film industry on the Gold Coast. Studies in Australasian Cinema, 8(1), pp. 70-75.

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Goldsmith, Ben (2014) Embedded digital creative workers and Creative Services in banking. In Hearn, G, Rodgers, J, Goldsmith, B, & Bridgstock, R (Eds.) Creative work beyond the creative industries: innovation, employment and education. Edward Elgar Publishing, United Kingdom, pp. 145-157.

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Goldsmith, Ben (2014) Embedded digital creatives. In Hearn, G, Rodgers, J, Goldsmith, B, & Bridgstock, R (Eds.) Creative work beyond the creative industries: innovation, employment and education. Edward Elgar Publishing, United Kingdom, pp. 128-144.

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Goldsmith, Ben (2014) Media arts should be at the core of the Australian curriculum. The Conversation, 2014. [Article]

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Goldsmith, Ben (2014) Scrapping the Australia Network affects more than the ABC. The Conversation, 2014, pp. 1-4, 2014. [Article]

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Goldsmith, Ben (2014) The smartphone app economy and app ecosystems. In Goggin, G & Hjorth, L (Eds.) The Routledge companion to mobile media. Routledge, United Kingdom, pp. 171-180.

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Goldsmith, Ben (2014) Will the new ABC Arts Council win back the arts community? The Conversation, April, pp. 1-4, 2014. [Article]

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Goldsmith, Ben (2014) With budget cuts coming, ABC and SBS stand divided. The Conversation, 2014. [Article]

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Goldsmith, Ben (2013) Creative services, apps and banks in Australia. In Third Australasian Symposium on Service Research and Innovation (ASSRI'13), 2013-11-27 - 2013-11-29. (Unpublished)

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Goldsmith, Ben & O'Regan, Tom (2013) Beyond the modular film school: Australian film and television schools and their digital transitions. In Hjort, M (Ed.) The education of the filmmaker in Europe, Australia, and Asia [Global Cinema]. Palgrave Macmillan, United States, pp. 149-169.

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Flew, Terry & Goldsmith, Ben (2013) Election fact check: does Murdoch own 70% of newspapers in Australia? In Sykes, H (Ed.) The story of the 2013 election : insight and analysis from Australia's leading minds. Future Leaders, Australia, pp. 260-262.

Goldsmith, Ben (2013) The Foxtel-BBC deal: implications for Australian television and content. The Conversation, pp. 1-5, 2013. [Article]

Goldsmith, Ben (2013) More British formats for Oz as BBC inks FremantleMedia deal. The Conversation, pp. 1-3, 2013. [Article]

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Goldsmith, Ben (2013) Review : "Networking : commercial television in Australia : a history" -- Nick Herd. Reviews in Australian Studies. (In Press)

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Goldsmith, Ben (2013) 'SporTV': The legacies and power of television. In Rowe, D & Hutchins, B (Eds.) Digital media sport: Technology, power and culture in the network society [Routledge Research in Cultural and Media Studies series]. Routledge, United States, pp. 52-65.

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Goldsmith, Ben (2013) Why new media reforms are bad news for Australian content. The Conversation, pp. 1-3, 2013. [Article]

Goldsmith, Ben (2012) Book Review: "Below the Line: Producers and Production Studies in the New Television Economy by Vicki Mayer", Duke University Press, 2012. Media International Australia, 144(1), pp. 179-180.

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Goldsmith, Ben, Cunningham, Stuart, & Thomas, Julian (2012) Convergence and Australian content: The importance of access. Media International Australia Incorporating Culture and Policy, 2012(144), pp. 13-18.

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Goldsmith, Ben & Thomas, Julian (2012) The Convergence Review and the future of Australian content regulation. Australian Journal of Telecommunications and the Digital Economy, 62(3), 44.1-44.12.

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Goldsmith, Benedict, Ward, Susan, & O'Regan, Tom (2012) Global and local Hollywood. InMedia: The French Journal of Media Studies, 1, pp. 1-11.

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Goldsmith, Ben (2012) The Killing of Angel Street. Metro Magazine, 174, pp. 70-81.

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Goldsmith, Ben (2012) National cultural policy is bold, but vulnerable. The Conversation, pp. 1-3, 2012. [Article]

Goldsmith, Benedict (2011) Australian content and convergence. Media International Australia Incorporating Culture and Policy, 2011(140), pp. 12-15.

Goldsmith, Benedict (2011) Cinematic and televisual cities. Studies in Australasian Cinema, 5(3), pp. 215-221.

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Yecies, Brian, Shim, Ae-Gyung, & Goldsmith, Benedict (2011) Digital intermediary: Korean transnational cinema. Media International Australia Incorporating Culture and Policy, 2011(141), pp. 137-145.

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Goldsmith, Benedict, Lee, Kwang-Suk, & Yecies, Brian (2011) In search of the Korean digital wave. Media International Australia Incorporating Culture and Policy, 2011(141), pp. 70-77.

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Goldsmith, Benedict (2011) Melbourne on film dossier: 'Ghost Rider'. Senses of Cinema, 59, pp. 1-2.

Balnaves, Mark, O'Regan, Tom, & Goldsmith, Benedict (2011) Rating the Audience : the Business of Media. Bloomsbury Academic, United Kingdom.

Goldsmith, Benedict (2011) The right thing. Inside Story, August, pp. 1-6.

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Goldsmith, Benedict (2011) 'Stir' [NFSA's Kodak/Atlab Cinema Collection]. Metro Magazine: Media and Education Magazine, 167, pp. 78-86.

O'Regan, Tom, Goldsmith, Benedict, & Ward, Susan (2011) Sydney's media cluster: Continuity and change in film and television. In Ricard, R & Karlsson, C (Eds.) Media clusters: spatial agglomeration and content capabilities. Edward Elgar Publishing, United Kingdom, pp. 199-222.

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Goldsmith, Benedict (2010) The Adventures of Barry McKenzie. In Lealand, G & Goldsmith, B (Eds.) Directory of World Cinema: Australia and New Zealand [Volume 3]. Intellect Ltd., United Kingdom, pp. 242-245.

Goldsmith, Benedict (2010) Birthday boy. In Lealand, G & Goldsmith, B (Eds.) Directory of World Cinema: Australia and New Zealand [Volume 3]. Intellect Ltd, United Kingdom, pp. 83-86.

Yecies, Brian & Goldsmith, Benedict (2010) Cinematic hooks for Korean studies: Using the 'Apache' framework for inspiring students about Korea in and through film. International Review of Korean Studies, 7(1), pp. 47-72.

Goldsmith, Benedict & Lealand, Geoff (2010) Directory of World Cinema [Volume 3]: Australia and New Zealand. Directory of World Cinema. Intellect Books, United Kingdom.

Goldsmith, Benedict (2010) Everynight...Everynight. In Lealand, G & Goldsmith, B (Eds.) Directory of World Cinema: Australia and New Zealand [Volume 3]. Intellect Ltd, United Kingdom, pp. 139-141.

Goldsmith, Benedict (2010) For the Term of His Natural Life. In Lealand, G & Goldsmith, B (Eds.) Directory of World Cinema: Australia and New Zealand [Volume 3]. Intellect Ltd., United Kingdom, pp. 134-135.

Ward, Sue, O'Regan, Tom, & Goldsmith, Benedict (2010) From 'Neighbours' to 'Packed to the Rafters': Accounting for longevity in the evolution of Aussie soaps. Media International Australia Incorporating Culture and Policy, 2010(136), pp. 162-176.

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Goldsmith, Benedict (2010) Ghosts...of the Civil Dead. In Lealand, G & Goldsmith, B (Eds.) Directory of World Cinema: Australia and New Zealand [Volume 3]. Intellect Ltd., United Kingdom, pp. 137-139.

Goldsmith, Benedict (2010) If you build it... film studios and the transformative effects of migrating media production. In Elmer, G, Davis, C H, McCullough, J, & Marchessault, J (Eds.) Locating migrating media. Lexington Books (Rowman & Littlefield Publishers), United States, pp. 103-127.

Goldsmith, Benedict (2010) Introduction: Australian cinema. In Lealand, G & Goldsmith, B (Eds.) Directory of World Cinema: Australia and New Zealand [Volume 3]. Intellect Ltd, United Kingdom, pp. 9-21.

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Goldsmith, Benedict (2010) The Jammed. In Lealand, G & Goldsmith, B (Eds.) Directory of World Cinema: Australia and New Zealand [Volume 3]. Intellect Ltd., United Kingdom, pp. 125-127.

Goldsmith, Benedict, Ward, Sue, & O'Regan, Tom (2010) Local Hollywood: Global film production and the Gold Coast. University of Queensland Press, Australia.

Goldsmith, Benedict (2010) The Man from Hong Kong. In Lealand, G & Goldsmith, B (Eds.) Directory of World Cinema: Australia and New Zealand [Volume 3]. Intellect Ltd., United Kingdom, pp. 245-247.

Goldsmith, Benedict (2010) Not Quite Hollywood. In Lealand, G & Goldsmith, B (Eds.) Directory of World Cinema: Australia and New Zealand [Volume 3]. Intellect Ltd., United Kingdom, pp. 251-253.

Goldsmith, Benedict (2010) Outward-looking Australian cinema. Studies in Australasian Cinema, 4(3), pp. 199-214.

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Goldsmith, Benedict (2010) Prison. In Lealand, G & Goldsmith, B (Eds.) Directory of World Cinema: Australia and New Zealand [Volume 3]. Intellect Ltd, United Kingdom, pp. 128-133.

Goldsmith, Benedict (2010) The Square. In Lealand, G & Goldsmith, B (Eds.) Directory of World Cinema: Australia and New Zealand [Volume 3]. Intellect Ltd., United Kingdom, pp. 123-124.

Goldsmith, Benedict (2010) Stir. In Lealand, G & Goldsmith, B (Eds.) Directory of World Cinema: Australia and New Zealand [Volume 3]. Intellect Ltd., United Kingdom, pp. 136-137.

Goldsmith, Benedict (2009) Made in Australia/New Zealand/South Korea...The new landscape of international film production. In Park, D S (Ed.) Global Korea: Old and New - Proceedings of the 6th Biennial Conference of the Korean Studies Association of Australasia. The Korean Studies Association of Australasia, Australia, pp. 76-82.

Goldsmith, Benedict & Yecies, Brian (2009) Sejong Park's Birthday Boy and Korean - Australian encounters. In Simpson, C, Lambert, A, & Murawska, R (Eds.) Diasporas of Australian cinema. Intellect Ltd, United Kingdom, pp. 159-168.

Goldsmith, Benedict (2009) Settings, subjects and stories: Creating Australian cinema. In Sarwal, A & Sarwal, R (Eds.) Creative nation: Australian cinema and cultural studies reader. SSS Publications, India, pp. 13-26.

Goldsmith, Benedict & O'Regan, Tom (2008) International film production: Interests and motivations. In Wasko, J & Erickson, M (Eds.) Cross-Border Cultural Production: Economic Runaway or Globalization? Cambria Press, United States, pp. 13-44.

Goldsmith, Ben (2006) Australian International Cinema. In XIIIth Biennial Conference of the Film and History Association of Australia and New Zealand, 2006-11-16 - 2006-11-19. (Unpublished)

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Goldsmith, Benedict (2006) A bureaucratic cinema: the fraught relationship between government and film. Metro Magazine: Media and Education Magazine, 150, pp. 170-171.

O'Regan, Tom & Goldsmith, Benedict (2005) The film studio: Film production in the global economy. Rowman and Littlefield Publishers, United States of America.

Goldsmith, Benedict & O'Regan, Tom (2005) The policy environment of the contemporary film studio. In Elmer, G & Gasher, M (Eds.) Contracting Out Hollywood: Runaway Productions and Foreign Location Shooting. Rowman and Littlefield Publishers, United States of America, pp. 41-66.

Goldsmith, Benedict & Spurgeon, Christina (2004) Introduction: Culture, trade, services. Media International Australia Incorporating Culture and Policy, 2004(111), pp. 5-7.

Goldsmith, Benedict & O'Regan, Tom (2004) Locomotives and stargates: Inner-city studio complexes in Sydney, Melbourne and Toronto. International Journal of Cultural Policy, 10(1), pp. 29-45.

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Goldsmith, Benedict (2004) The Pianist and the Ruins of Berlin. In Morris, B & Verhoeven, D (Eds.) The Passionate City: An International Symposium 2004. RMIT University, School of Applied Communication, Australia, pp. 36-48.

Goldsmith, Ben & O'Regan, Tom (2003) Cinema Cities, Media Cities: The Contemporary International Studio Complex. Screen Industry, Culture and Policy Research Series. Australian Film Commission, Sydney.

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Goldsmith, Benedict, Thomas, Julian, O'Regan, Tom, & Cunningham, Stuart (2002) Asserting Cultural and Social Regulatory principles in Converging Media Systems. In Raboy, M (Ed.) Global Media Policy in the New Millenium. University of Luton Press, Bedfordshire, United Kingdom, pp. 93-109.

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Goldsmith, Ben (2002) Cultural diversity, cultural networks and trade : international cultural policy debate. Media International Australia incorporating Culture and Policy, 102(1), pp. 35-53.

O'Regan, Tom & Goldsmith, Ben (2002) Emerging global ecologies of production. In Harries, Dan (Ed.) The new media book. British Film Institute, London, United Kingdom, pp. 92-105.

Goldsmith, Ben (2000) Metal Skin and the cinema of noise. Senses of Cinema, 9.

Goldsmith, Ben (2000) A positive unsettlement: the story of Sakshi Anmatyerre. Griffith Law Review, 9(2), pp. 321-333.

Goldsmith, Ben (2000) Something rotten in the state of Minnesota: or the morality of backwoodsmen: 'A Simple Plan'. Metro Magazine: Media and Education Magazine, 121-122, pp. 134-137.

Goldsmith, Ben (1999) 'The comfort lies in all the things you can do': the Australian drive-in: cinema of distraction. Journal of Popular Culture, 33(1), pp. 153-164.

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Goldsmith, Ben (1998) Better half-dead than read? The Mezzomorto cases and their implications for literary culture in the 1930s. In Australian Literature and the Public Sphere, 1998-07-03 - 1998-07-07.

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