Browse By Person: Hadley, Bree

Rieger, Janice, Herssens, Jasmien, Hadley, Bree, & Strickfaden, Megan (2019) International Inclusive Film Screening, DfA Week (with films from Finland, Canada, China and Australia). [Exhibition/Event]

Hadley, Bree (2019) Advocacy, allies, and 'allies of convenience' in performance and performative protest. In Grehan, H (Ed.) The Routledge companion to theatre and politics (Routledge Theatre and Performance Companions). Routledge, United Kingdom, pp. 85-88.

Hadley, Bree, McDonald, Donna, Austin, Sarah, Duncan, Kath, Goggin, Gerard, MacDowall, Lachlan, et al. (2019) Conclusion: practicing interdependency, sharing vulnerability, celebrating complexity - the future of disability arts, culture, and media research. In Hadley, B & McDonald, D (Eds.) The Routledge handbook of disability arts, culture, and media. Routledge, United Kingdom, pp. 362-372.

Hadley, Bree (2019) Disability arts in an age of austerity. In Hadley, B & McDonald, D (Eds.) The Routledge handbook of disability arts, culture, and media. Routledge, United Kingdom, pp. 347-361.

Hadley, Bree & McDonald, Donna (2019) Introduction: disability arts, culture, and media studies - mapping a maturing field. In Hadley, B & McDonald, D (Eds.) The Routledge handbook of disability arts, culture, and media. Routledge, United Kingdom, pp. 1-18.

Hadley, Bree & Goggin, Gerard (2019) The NDIS and disability arts in Australia: Opportunities and challenges. Australasian Drama Studies, 74, pp. 9-38.

Hadley, Bree & McDonald, Donna (2019) Plain language summary. In Hadley, B & McDonald, D (Eds.) The Routledge handbook of disability arts, culture, and media. Routledge, United Kingdom, pp. 373-383.

McDonald, Donna (2019) The Routledge handbook of disability arts, culture, and media. Routledge International Handbooks. Routledge, United Kingdom.

Rieger, Janice, Herssens, Jasmien, Strickfaden, Megan, Chamorro-Koc, Marianella, Hadley, Bree, & Bosserez, Ann (2019) Vis-ability. [Other]

Rieger, Janice, Hadley, Bree, Dionysius, Katherine, & Whelan, Michael (2019) VIS-ABILITY: Audio Description of Brown, Green and Cattapan's 'War and peace #7: Empire' (2011). [Artefact]

Rieger, Janice, Hadley, Bree, Whelan, Michael, & Dionysius, Katherine (2019) VIS-ABILITY: Audio Description of Denise Green's 'Saar elegy: Opposites' 2014. [Artefact]

Rieger, Janice, Hadley, Bree, Dionysius, Katherine, Strickfaden, Megan, & Whelan, Michael (2019) VIS-ABILITY: Audio Description of Karla Dicken's artworks, 'Bottom feeder I-IV' (2018). [Artefact]

Rieger, Janice, Hadley, Bree, Dionysius, Katherine, & Whelan, Michael (2019) VIS-ABILITY: Audio Description of Karla Marchesis' artwork, 'Trashout' (2010). [Artefact]

Hadley, Bree, Dionysius, Katherine, & Boulton, Sarah (2019) Vis-Ability: Audio descriptions. [Composition]

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Hadley, Bree (2018) Change the world? Recent writing on theatre, the environment, ecology and change (Book Review). Performance Research, 23(3), pp. 135-136.

Hadley, Bree (2018) Disability, disabled dance audiences and the dilemma of neuroaesthetic approaches to perception and interpretation. In Wood, K, Brown, A, Waelde, C, Harmon, S, Blades, H, & Whatley, S (Eds.) Dance, disability and law: Invisible difference. Intellect Ltd, United Kingdom, pp. 293-315.

Hadley, Bree (2017) Disability theatre in Australia: a survey and a sector ecology. Research in Drama Education, 22(3), pp. 305-324.

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Hadley, Bree (2017) Disability, sustainability, austerity: The Bolshy Divas' arts-based protests against policy paradoxes. CSPA Quarterly, 18, pp. 34-37.

Hadley, Bree J. (2017) Performing allydom: Pranks, social performance, and the claiming of 'ally’ status. In Australasian Association for Drama, Theatre, and Performance Studies (ADSA 2017), 2017-06-27 - 2017-06-30. (Unpublished)

Hadley, Bree (2017) Putting prejudices on the spot and in the spotlight: The risks of politically motivated public space performance practices. In O'Grady, A (Ed.) Risk, participation, and performance practice: Critical vulnerabilities in a precarious world. Palgrave Macmillan, Switzerland, pp. 57-78.

Hadley, Bree J. (2017) The social experiment – Pranks, political activism, and performing stigma. In American Society for Theater Research, 2017-11-16 - 2017-11-19. (Unpublished)

Hadley, Bree & Crystal, Clark (2017) Style, stage presence, and the poetic subversion of stereotypes: A case study of Blue Roo Theatre Company. Social Alternatives, 36(4), pp. 15-21.

Hadley, Bree (2017) Theatre, social media, and meaning making. Palgrave Macmillan, United Kingdom.

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Hadley, Bree (2016) The social experiment – pranks, political activism, and performing stigma. In Performance and Challenging Stigma, 2016-10-21 - 2016-10-21.

Hadley, Bree J. (2016) Mapping changing theatre climates. In Performance Climates, Performance Studies International (PSi) #22, 2016-07-05 - 2016-07-09.

Hadley, Bree J. (2016) Austerity, art, and the art of protest: Reengaging, reenacting and reenvisaging discourses of disaster through public space performance. In Australasian Association for Theatre, Drama and Performance Studies Conference - Resilience: Revive, Restore, Reconnect, 2016-06-21 - 2016-06-24.

Hadley, Bree J. (2016) It’s a social experiment – pranks, political activism, and performing marginality for a politically correct mainstream audience. In Performance of the Real: Postgraduate and Early Career Researcher Symposium, 2016-06-08 - 2016-06-10.

Hadley, Bree (2016) Cheats, charity cases and inspirations: disrupting the circulation of disability-based memes online. Disability and Society, 31(5), pp. 676-692.

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Hadley, Bree (2016) It's A Social Experiment - Pranks, Political Activism, and Performing Marginality for a Politically Correct Mainstream Audience - Performance Workshop. [Exhibition/Event]

Hadley, Bree (2016) Mobilising the mobilities paradigm in drama, theatre and performance studies: Potentials, politics and pitfalls. Australasian Drama Studies, 69, pp. 7-28.

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Hadley, Bree J. (2015) Unfamiliar Destinations. [Performance]

Hadley, Bree J. (2015) Disability performance in Australia. In Disability/Culture: New Grounds: A Practice-Based Research Symposium, 2015-02-03 - 2015-02-06. (Unpublished)

Blazevic, Marin & Hannah, Dorita (2015) Fluid states: Performances of unknowing - The LOG. Performance Studies International, http://www.fluidstates.org/.

Hadley, Bree (2015) Improvising a future in the performing arts: The benefits of reframing performing arts entrepreneurship education in familiar terms. Liminalities: a journal of performance studies, 11(4), pp. 1-17.

Hadley, Bree (2015) The last avant-garde?: Disability arts and (rethinking) mobility. In Performing Mobilities - PSi#21 Fluid States: Performances of Unknowing, 2015-10-08 - 2015-10-11. (Unpublished)

Hadley, Bree (2015) Participation, politics and provocations: People with disabilities as non-conciliatory audiences. Participations: journal of audience and reception studies, 12(1), pp. 154-174.

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Hadley, Bree J. (2015) Performing immobility / protesting immobility: The risks & rewards of public space protest performances. In Performing Mobilities - PSi#21 Fluid States: Performances of Unknowing, 2015-10-08 - 2015-10-11. (Unpublished)

Hadley, Bree (2015) Performing immobility / protesting immobility: The risks & rewards of public space protest performances. In IFTR Conference 2015: Performing Democracy, 2015-07-04 - 2015-07-08. (Unpublished)

Hadley, Bree (2015) The prankster’s passion: Using theatrical terms to unpack players motivations in popular social performance. In ADSA Conference - Revisiting The Player’s Passion: The Science(s) of Acting in 2015, 2015-06-23 - 2015-06-26. (Unpublished)

Hadley, Bree J. (2015) Reengaging, reenacting and reenvisaging discourses of disaster through public space performance: Austerity, art, and the art of protest. In On Tilted Earth - PSi#21 Fluid States: Performances of Unknowing, 2015-11-05 - 2015-11-08. (Unpublished)

Hadley, Bree (2015) Theatre, networked performance, and notions of ‘democratised’ spectatorship. In Fluid States North - PSi #21 Fluid States: Performances of UnKnowing, 2015-06-18 - 2015-06-21. (Unpublished)

Hadley, Bree (2015) Unfamiliar destinations. [Performance]

Hadley, Bree J. (2014) Theatre, co-creativity & co-creative spectatorship. In Zooming Fluid States Festival, 2014-09-03 - 2014-09-07. (Unpublished)

Hadley, Bree J. (2014) Playing Pranks: Traditions, communities & co-creative cultural performance practice. In Avant Garde, Tradition, Community - Performance Studies international (PSi) Conference 2014, 2014-07-04 - 2014-07-08. (Unpublished)

Hadley, Bree J. (2014) Social media, audiences, and audience co-creativity in contemporary performance: Restoring balance? In Restoring Balance - Australasian Association for Drama, Theatre & Performance Studies Conference 2014, 2014-06-23 - 2014-06-27. (Unpublished)

Hadley, Bree J. (2014) The Complex Politics of Care: Needs and interests, norms and desires. Performance Research: A Journal of the Performing Arts, 19(4), pp. 141-144.

Hadley, Bree (2014) Disability, public space performance and spectatorship: Unconscious performers. Palgrave Macmillan, United Kingdom.

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Hadley, Bree (2014) Practice as method: The ex/centric fixations project. In Bolt, B & Barrett, E (Eds.) Material inventions: applying creative arts research. I.B. Tauris, United Kingdom, pp. 145-165.

Hadley, Bree J. (2013) Theatre, social media and spectatorship : translating commentary, critique and controversy across media. In Staging Changes : Translation as Innovation and Intervention, Australasian Association for Theatre, Drama & Performance Studies (ADSA 2013), 2013-07-09 - 2013-07-12. (Unpublished)

Hadley, Bree J. (2013) Ruptured relations : guerrilla theatre, time & Pranksterish disability performance practice. In Now Then : Performance & Temporality, Performance Studies international (PSi) Conference 2013, 2013-06-25 - 2013-06-29. (Unpublished)

Hadley, Bree (2013) ADSA Performance as Research Guidelines. Australasian Association for Drama, Theatre & Performance Studies (ADSA), Australia.

Hadley, Bree (2013) Review: Kirsty Johnston, Stage Turns: Canadian Disability Theatre. Montreal: McGill University Press, 2012. ISBN 978-0-7735-3994-2. Canadian Journal of Disability Studies, 2(1), pp. 104-110.

Hadley, Bree, Kapur, Anuradha, Ruiz, Clarisa, & Wrigley, Sheena (2013) Vision, Viability and Value: Three perspectives on the performing arts across cultures, context and nations. Performance Research, 18(2), pp. 95-101.

Hadley, Bree (2012) Do arts graduates get jobs? ArtsHub, 5 December 2012. [Article]

Hadley, Bree J. (2012) Engaging Noemi Lakmeier's living installations : the ethics of embarrassment. In Australasian Association for Theatre, Drama and Performance Studies 2012 : Compass Points - The Locations, Landscapes and Coordinates of Identities, 2012-07-03 - 2012-07-06. (Unpublished)

Hadley, Bree J. (2012) Improvising a future in the performing arts : a new strategy to help performance studies students successfully shift between academic culture, professional culture, industry and career? In Performance - Culture - Industry, Performance Studies internaitonal (PSi) Conference 2012, 2012-06-27 - 2012-07-01. (Unpublished)

Hadley, Bree J. (2012) Review: "Transfigured Stages : Major Practitioners and Theatre Aesthetics in Australia" by Margaret Hamilton. Theatre Research International, 37(2), pp. 198-199.

Hadley, Bree J. (2012) Colour and Camp Bring Shakespeare’s As You Like It to Life. The Australian, 27(Feb).

Hadley, Bree & Gattenhof, Sandra (2012) Brokering evaluations of partnerships in Australian community arts: Responding to entrepreneurial tendencies. Journal of Arts and Communities, 4(3), pp. 231-249.

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Hadley, Bree & Heim, Caroline (2012) Compass Points: The Locations, Landscapes and Coordinates of Identities in Contemporary Performance Making, Australasian Association for Drama Theatre and Performance Studies (ADSA) 2012 Conference Proceedings. Queensland University of Technology, Australia.

Hadley, Bree & Heim, Caroline (2012) Introduction: Navigating the field of contemporary performance. In Heim, C & Hadley, B (Eds.) Compass Points: The Locations, Landscapes and Coordinates of Identities in Contemporary Performance Making, Australasian Association for Drama Theatre and Performance Studies (ADSA) 2012 Conference Proceedings. Queensland University of Technology, Australia, pp. 1-4.

Hadley, Bree (2012) Self-making as public spectacle: Bodies, bodily training and reality TV. Scope: an on-line journal of film studies, 2012(24), pp. 1-14.

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Hadley, Bree (2012) Using information communication technologies to develop dynamic curriculum frameworks for diverse cohorts: a case study from event management. Journal of Further and Higher Education, 36(2), pp. 263-290.

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Makeham, Paul, Hadley, Bree, & Kwok, Joon-Yee (2012) A 'Value Ecology' approach to the performing arts. M/C Journal, 15(3), pp. 1-12.

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Hadley, Bree J. (2011) Reuben Guthrie [Short Review]. The Australian.

Hadley, Bree J. (2011) Four characters stuck inside a mystery [Review]. The Australian, September(26).

Hadley, Bree J. (2011) Hamlet apocalypse [Short Review]. The Australian, August(30).

Hadley, Bree J. (2011) Cracks in the family hothouse [Review]. The Australian, August(22).

Hadley, Bree J. (2011) Water wars [Short Review]. The Australian.

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Hadley, Bree J. (2011) Do you see what I mean? charting changing representations and receptions of the disabled body in contemporary and pop cultural performance. In Australasian Association for Theatre Drama & Performance Studies Conference 2011, 2011-06-28 - 2011-07-01. (Unpublished)

Hadley, Bree J. (2011) Review of "Christoph Schlingensief : art without borders" edited by Tara Forrest and Anna Teresa Scheer. Performance Paradigm, 7, pp. 1-5.

Hadley, Bree J. (2011) Old archetype rides into Bell's hell [Review]. The Australian, June(6).

Hadley, Bree J. (2011) Loss and grief at the heart of text messages [REVIEW]. The Australian, June(30).

Hadley, Bree J. (2011) An oak tree [Short Review]. The Australian.

Hadley, Bree J. (2011) The Ex/centric fixations project # 2 - Memory, language and polyvocal performative writing. In Performance Studies International (PSi) Conference 2011, 2011-05-25 - 2011-05-29. (Unpublished)

Hadley, Bree J. (2011) “That you would post such a thing implies that you are a despicable human being”: spectatorship, social media, & the struggle for meaning in disability performance. In Performance Studies International (PSi) Conference 2011, 2011-05-25 - 2011-05-29. (Unpublished)

Hadley, Bree J. (2011) An emotional father and son reunion that sometimes is at a loss for words [Review]. The Australian, April(11).

Hadley, Bree J. (2011) Boy girl wall [Short Review]. The Australian, September(16).

Hadley, Bree J. (2011) Contemporary take on Caesar a triumph of style over substance [Review]. The Australian, Feb(21).

Hadley, Bree J. (2011) Sacre Bleu [Short review]. The Australian, Feb(14).

Gattenhof, Sandra & Hadley, Bree (2011) Creating Queensland: Creative communities partnership - Brisbane Festival and Australia Council for the Arts 2010. Queensland University of Technology, Australia.

192

Hadley, Bree (2011) Creating successful cultural brokers: The pros and cons of a community of practice approach in arts management education. Asia Pacific Journal of Arts and Cultural Management, 8(1), pp. 645-659.

Hadley, Bree (2011) (Dia)logics of difference: Disability, performance and spectatorship in Liz Crow's Resistance on the Plinth. Performance Research, 16(2), pp. 124-131.

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Hadley, Bree (2011) 'I Just Didn't Think' - Orientation Drama. [Other]

Hadley, Bree & Gattenhof, Sandra (2011) Measurable progress? Teaching artsworkers to assess and articulate the impact of their work. M/C Journal, 14(6), pp. 1-7.

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Hadley, Bree (2011) Re-Constructing Asianness in Australia: Yumi Umiumare, Owen Leong, and the remobilisation of monstrosity. Liminalities: a journal of performance studies, 7(3), pp. 1-13.

Hadley, Bree (2010) Blackbird [SHORT REVIEW]. The Australian, -.

Hadley, Bree (2010) Comedy hints at the tragedy beneath [REVIEW]. The Australian, -.

Hadley, Bree (2010) Contemporary take on deconstructed Medea[REVIEW]. The Australian, -.

Hadley, Bree (2010) Dark humour invigorates familiar fables [REVIEW]. The Australian, -.

Hadley, Bree (2010) (Dia)logic of Difference : Disability, Performance & Spectatorship. In Wylam, Lisa (Ed.) Proceedings of the. -.

Hadley, Bree, Rajak, Jelena, Filmer, Andrew, Caines, Rebecca, & Read, Alan (2010) The 'dirty work' of the lie. Performance Research, 15(2), pp. 123-129.

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Hadley, Bree (2010) Dumped [ SHORT REVIEW]. The Australian, -.

Hadley, Bree (2010) Eschewing the fat: strong production but Neil LaBute below his best [REVIEW]. The Australian, -.

Hadley, Bree (2010) Fleshed out comic yarn [REVIEW]. The Australian, -.

Hadley, Bree (2010) Hoodie-wearing Hamlet mixes horror with humour in a play for our times [REVIEW]. The Australian, -.

Hadley, Bree (2010) IIndependent Brisbane: Four Plays [BOOK REVIEW]. Australasian Drama Studies, pp. 242-244.

Hadley, Bree (2010) Left vs right in black and white : a review. The Australian, -.

Hadley, Bree (2010) A Lesson in Tension yet to be Taut [ REVIEW]. The Australian, -.

Hadley, Bree (2010) Nothing if not a performance of substance[REVIEW]. The Australian, -.

Hadley, Bree (2010) Paving for diverse pathways: Using industry-linked learning to support Performaing Arts students in their transition to protean careers. In From the proceedings of Australiasian Association for Drama Theatre and Performance Sutdies Conference 2010. Australia, -.

Hadley, Bree (2010) The Secret Love Life of Ophelia [SHORT REVIEW]. The Australian, -.

Hadley, Bree (2010) The Story of the Miracles at Cookie's Table [ SHORT REVIEW]. The Australian, -.

Hadley, Bree (2010) Stripping Sight Bare : Alison Jones' 'Portraits by Proxy'. In Proceedings from the Australiasian Association for Drama Theatre and Performance Sutdies. -.

Hadley, Bree (2010) Teenager loner in a chat room tangled up in guile and guilability[ REVIEW]. The Australian, -.

Hadley, Bree (2010) Textbook portrayal of grieving stereotypes fails to cohere[ review]. The Australian, -.

Hadley, Bree, Trace, Genevieve, & Winter, Sarah (2010) Uncertainties that matter: Risk, response-ability, ethics and the moment of exchange in live art. About Performance, 10, pp. 137-151.

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Hadley, Bree (2010) Wrapped in the legacy of the past [REVIEW]. The Australian, -.

Hadley, Bree J. & Caines, Rebecca (Eds.) (2009) Disclose. Vol. 12. [5 ed.]. MC Journal, Brisbane, QLD.

Hadley, Bree (2009) The Carnival's edge. The Australian, 2009(September 21), p. 54.

Hadley, Bree (2009) Celebrating difference / Censoring difference? Marie Chouinard's bODY rEMIX. In International Federation for Theatre Research Annual Conference (52nd), 2009-07-12 - 2009-07-18.

Hadley, Bree (2009) Crowning glory at the harvest time. The Australian, 2009(July 31), p. 10.

Hadley, Bree (2009) Dissenters in dock at injustice of war. The Australian, 2009(September 28), p. 1.

Hadley, Bree (2009) Duplicity/complicity: (Mis)performing the social drama of disability. In Performance Studies international Conference (15th), 2009-06-24 - 2009-06-28.

Hadley, Bree (2009) Epic too large for the stage. The Australian, 2009(February 25), p. 1.

Hadley, Bree (2009) Lost talent collects around memories. The Australian, 2009(November 17), p. 15.

Hadley, Bree (2009) Middle-class histrionics. The Australian, 2009(May 11), p. 34.

Hadley, Bree, Trace, Genevieve, & Winter, Sarah (2009) The moment of exchange: Risk, vulnerability, responsibility. In Australasian Association for Theatre, Drama and Performance Studies Conference 2009, 2009-06-30 - 2009-07-03.

Hadley, Bree & Caines, Rebecca (2009) Negotiating selves : exploring cultures of disclosure. M/C Journal, 12(5), pp. 1-12.

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Hadley, Bree (2009) Practice as method: The ex/centric fixations project. In Material Inventions: Applying Creative Research Conference 2009, 2009-11-30 - 2009-12-01.

Hadley, Bree (2009) Reality bites the twentysomethings. The Australian, 2009(June 15), p. 30.

Hadley, Bree (2009) Self-advancement blinds the greedy. The Australian, 2009(March 2), p. 1.

Hadley, Bree (2009) Slice of Brisbane in family shadows. The Australian, 2009(October 6), p. 1.

Hadley, Bree (2009) Speed blurs emotional effect of tragic tale. The Australian, 2009(September 3), p. 1.

Hadley, Bree (2009) Theater Studies: Theater 38:3 - Contemporary censorship and performance. M/C Reviews, N/A(N/A), pp. 1-2.

Hadley, Bree (2009) Unsettling portrait of family strife. The Australian, 2009(March 30), p. 30.

Hadley, Bree (2009) Uptight citizens in the grip of an evil spell. The Australian, 2009(November 2), p. 1.

Hadley, Bree (2009) Word-perfect Gatsby overcomes its flaws. The Australian, 2009(May 12), p. 8.

Hadley, Bree (2008) 080808 UpStage Festival. Australian Stage Online, 2008(August 10), pp. 1-2, 2008. [Article]

Hadley, Bree (2008) Bard to the bone. The Australian, 2008(September 9), p. 1.

Hadley, Bree (2008) Body, space, self: locating and dis-locating subjectivities in contemporary performance. In 2008 Australasian Association for Theatre, Drama and Performance Studies (ADSA) Conference: Turangawaewae - A Sense of Place, 2008-06-30 - 2008-07-03.

Hadley, Bree (2008) Desires and despair given voice in Russian. The Australian, 2008(July 31), p. 1.

Hadley, Bree J. & Fuks, Suzon (2008) Documenting [MAP]. (Unpublished)

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Hadley, Bree (2008) During and enduring: Forced Entertainment's 'Bloody Mess' and the manipulation of time in performance. In Maxwell, I (Ed.) Being There: After-Proceedings of the 2006 Conference of the Australasian Association for Drama, Theatre and Performance Studies. The University of Sydney, Australia, pp. 1-10.

Hadley, Bree (2008) Encountering in-between bodies: complicity, proximity and the crisis of meaning. In Performance Studies International Conference (14th), 2008-08-20 - 2008-08-24.

Hadley, Bree J. (2008) Exist documentation: description of creative works in the International Live Art Event "exist in 08". [Composition]

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Hadley, Bree (2008) The Female of the Species - Queensland Theatre Company. Australian Stage Online, 2008(February 17), pp. 1-2, 2008. [Article]

Hadley, Bree (2008) Influences, institutions and outcomes: A survey of Masters and Doctoral theses on actor training in Australia, 1979-2004. Australasian Drama Studies, 53(October), pp. 8-16.

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Hadley, Bree (2008) Just Wilde about the lush style. The Australian, 2008(October 20), p. 1.

Hadley, Bree (2008) Lawler's watershed lives on. The Australian, 2008(May 2), p. 1.

Guthrie, Adrian, Richards, Alison, & Hadley, Bree (2008) Ma-cinations : finding a place for collaborative practice. In Australasian Association for Theatre, Drama and Performance Studies (ADSA) 2008 Annual Conference, 2008-06-30 - 2008-07-03.

Hadley, Bree (2008) Mire of mother and son. The Australian, 2008(June 16), p. 1.

Hadley, Bree (2008) Mobilising the monster: Modern disabled performers' manipulation of the freakshow. M/C Journal, 11(3), pp. 1-7.

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Hadley, Bree (2008) Reality just arrived - Mark Ravenhill's 'Faust is Dead'. In Fitzsimmons, L (Ed.) International Faust Studies: Adaptation, Reception, Translation. Continuum International Publishing Group, United Kingdom, pp. 259-275.

Hadley, Bree (2008) Recognition, misrecognition and the crisis of meaning : the risky mechanics of staging the 'monstrous'. In 2008 International Federation of Theatre Research Annual Conference, 2008-07-14 - 2008-07-19.

Hadley, Bree (2008) Sparest treatment the best. The Australian, 2008(July 24), p. 1.

Hadley, Bree (2008) Touched by the hand of Hollywood. The Australian, 2008(November 17), p. 1.

Hadley, Bree (2008) Well-crafted insights engage. The Australian, 2008(September 5), p. 1.

Hadley, Bree (2008) When grief puts a gulf between two parents. The Australian, 2008(May 5), p. 1.

Hadley, Bree, Kennedy, Flloyd, Cochrane, Bernadette, & Robson, Julie (2008) Where does practice live? How a 'Magdamodel' helped develop a sense of belonging between practitioners and academic researchers. In Australasian Association for Theatre, Drama and Performance Studies (ADSA) 2008 Annual Conference, 2008-06-30 - 2008-07-03.

Hadley, Bree (2007) Anne Bogart, And Then, You Act: Making Art in an Unpredictable World (New York and London: Routledge, 2007). Australasian Drama Studies, 51(October 2007), pp. 151-153.

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Hadley, Bree (2007) 'But They Can't Just be Handing Out Flyers': Real Life Learning on the Brisbane Festivals Scene. In ATN Evaluation and Assessment Conference, 2010-11-18 - 2010-11-19, Australia.

Hadley, Bree (2007) Dis/identification in Contemporary Physical Performance: NYID's Scenes of the Beginning from the End. Australasian Drama Studies, 50(April), pp. 111-122.

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Hadley, Bree (2007) Partnerships, Social Capital and the Successful Management of Small Scale Cultural Festivals: A Case Study of Hobart's Antarctic Midwinter Festival. In Mair, J, Harris, R, & O'Mahony, B (Eds.) Re-eventing the City/Town: Events as Catalysts for Social Change: Fourth International Event Research Conference Proceedings. Victoria University, Australia, pp. 1-11.

Hadley, Bree (2007) Staging Asian-Australian Identities. In 2nd Asian Australian Identities Conference, 2007-06-28 - 2007-06-30.

Hadley, Bree (2007) Unthinkable Complexity: Dance, Datascapes and the Desire to Connect in Lucy Guerin's Aether. Brolga: an Australian Journal about Dance, 27(December), pp. 17-25.

Hadley, Bree (2007) Virtuosity / Discipline / Docility. In Somatechnics Conference, 2007-01-01.

Hadley, Bree (2007) 'With a Vengeance': Stagings of Self in Contemporary Performance. In Extreme States: ADSA Conference 2007, 2007-01-01.

Hadley, Bree (2006) Review: Circus bodies: Cultural identity in aerial performance by Peta Tait. Australasian Drama Studies, 2006(48), pp. 252-255.

257

Hadley, Bree (2005) Challenging (mis)conceptions of Asianness in the work of Yumi Umiumare. In 2005 Annual Conference of the Australasian Association for Theatre, Drama and Performance Studies, 2005-07-04 - 2005-07-07.

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