Browse By Person: Brown, Andrew

Adkins, Barbara, Summerville, Jenny, Knox, Marie, Brown, Andrew, & Dillon, Steven (2013) Digital technologies and musical participation for people with intellectual disabilities. New Media and Society, 15(4), pp. 501-518.

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Brown, Andrew & Gifford, Toby (2013) Prediction and proactivity in real-time interactive music systems. In Pasquier, P (Ed.) Musical Metacreation: Papers from the 2013 AIIDE Workshop (WS-13-22). AAAI (Association for the Advancement of Artificial Intelligence) Press, United States of America, pp. 35-39.

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Mafe, Daniel & Brown, Andrew (2012) Affecting interference. [Exhibition/Event]

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Brown, Andrew & Dillon, Steven (2012) Collaborative digital media performance with generative music systems. In Graham, W & McPherson, G (Eds.) The Oxford Handbook of Music Education, Volume 2. Oxford University Press, United States of America, pp. 549-566.

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Brown, Andrew (2012) Experience design and interactive software in music education research. Visions of Research in Music Education, 20(1), pp. 1-38.

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Brown, Andrew & Dillon, Steven (2012) Meaningful engagement with music composition. In Collins, D (Ed.) The act of musical composition: Studies in the creative process [SEMPRE Studies in The Psychology of Music]. Ashgate Publishing Limited, United Kingdom, pp. 79-109.

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Mafe, Daniel & Brown, Andrew (2012) Noise as abstraction: Enhancing the poetic. In Baker, S, Thomas, P, & Varano, A (Eds.) Interference as a strategy for art: Proceedings of the 2nd International Conference on Transdisciplinary Imaging at the Intersections between Art, Science and Culture. Transdisciplinary Imaging Conference 2012, Australia, pp. 193-204.

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Brown, Andrew (Ed.) (2012) Sound Musicianship: Understanding the Crafts of Music. Meaningful Music Making for Life. Cambridge Scholars Publishing, Newcastle Upon Tyne.

Jenkins, Greg, Barrett, Lloyd, & Brown, Andrew (2012) Sound media musicianship. In Brown, A (Ed.) Sound musicianship: Understanding the crafts of music. Cambridge Scholars Publishing, United Kingdom, pp. 335-345.

Brown, Andrew, Wooller, Rene, & Miranda, Eduardo (2011) Evolutionary morphing for music composition. In Miranda, E R (Ed.) A-Life for Music: Music and Computer Models of Living Systems. A-R Editions, Inc., United States of America, pp. 115-132.

Wooller, Rene & Brown, Andrew (2011) Note sequence morphing algorithms for performance of electronic dance music. Digital Creativity, 22(1), pp. 13-25.

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Dillon, Steven & Brown, Andrew (2011) Sound thinking : Tips and tools for understanding popular music. Exploding Art Pty. Ltd., Australia.

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Brown, Andrew & Dillon, Steven (2011) eBility: From tool use to partnership. Journal of Music, Technology and Education, 4(2 & 3), pp. 201-215.

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Dillon, Steven & Brown, Andrew (2010) Access to meaningful relationships through virtual instruments and ensembles. In Coffman, D D (Ed.) Proceedings from the International Society for Music Education (ISME) 2010 Seminar of the Commission for Community Music Activity. CMA XII : Harmonizing the Diversity that is Community Music Activity. International Society for Music Education (ISME), Australia, pp. 31-34.

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Opie, Timothy T. & Brown, Andrew R. (2010) Aesthetic implications of the eco-structuralist process. In Australasian Computer Music Conference 2010, 2010-06-24 - 2010-06-26.

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Gifford, Toby M. & Brown, Andrew R. (2010) Anticipatory timing in algorithmic rhythm generation. In Australasian Computer Music Conference 2010, 2010-06-24 - 2010-06-26.

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Livingstone, Steven, Muhlberger, Ralf, Brown, Andrew, & Thompson, W (2010) Changing musical emotion: A computational rule system for modifying score and performance. Computer Music Journal, 34(1), pp. 41-64.

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Brown, Andrew R. & Gifford, Toby M. (2010) Interrogating statistical models of music perception. In International Conference on Music Perception and Cognition (ICMPC 11), 2010-08-23 - 2010-08-27.

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Brown, Andrew R. (2010) Network jamming : distributed performance using generative music. In New Instruments for Musical Expression, 2010-06-15 - 2010-06-18.

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Brown, Andrew (2010) Visualizing digital media interactions: providing feedback on jam2jam AV performances. In Brereton, M (Ed.) Proceedings of the 2010 Australian Computer Human Interaction Conference. Association for Computing Machinery, United States of America, pp. 196-199.

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Dillon, Steven & Brown, Andrew (2010) The educational affordances of generative media in arts education. In Gomez Chova, L, Candel Torres, I, & Marti Belenguer, I (Eds.) INTED 2010 - International Technology, Education and Development Conference - Conference Proceedings. International Association of Technology, Education and Developmnet, Spain, 005311-005320.

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Brown, Andrew & Kerr, Thorin (2009) Adaptive music techniques. In Sorensen, A (Ed.) Proceedings of Improvise: the Australasian Computer Music Conference 2009. Australasian Computer Music Association, Australia, pp. 26-31.

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Gifford, Toby & Brown, Andrew (2009) Do androids dream of musical chimera? In Sorensen, A (Ed.) Proceedings of Improvise: the Australasian Computer Music Conference 2009. Australasian Computer Music Association, Australia, pp. 56-63.

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Opie, Timothy & Brown, Andrew (2009) Eco-structural data forms: Classification of data analysis using perceived design affordances for musical outcomes. In Sorensen, A (Ed.) Proceedings of Improvise: the Australasian Computer Music Conference 2009. Australasian Computer Music Association, Australia, pp. 123-129.

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Brown, Andrew, Dillon, Steven, Kerr, Thorin, & Sorensen, Andrew (2009) Evolving interactions: Agile design for networked media performance. In Paay, J, Viller, S, & Kjeldskov, J (Eds.) Proceedings of the 21st Annual Conference of the Australian Computer-Human Interaction Special Interest Group: Design: Open 24/7. Computer-Human Interaction Special Interest Group (CHISIG), Online, pp. 41-48.

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Brown, Andrew, Gifford, Toby, Narmour, Eugene, & Davidson, Robert (2009) Generation in context: An exploratory method for musical enquiry. In Fazio, S, Stevens, C, Buckley, K, Schubert, E, & Kruithof, B (Eds.) Proceedings of the second International Conference on Music Communication Science. HCSNet, University of Western Sydney, Online, pp. 7-10.

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Collins, Nick & Brown, Andrew (2009) Generative Music Editorial. Contemporary Music Review, 28(1), pp. 1-4.

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Brown, Andrew & Sorensen, Andrew (2009) Integrating creative practice and research in the digital media arts. In Dean, R & Smith, H (Eds.) Practice-led Research, Research-led Practice in the Creative Arts. Edinburgh University Press, United Kingdom, pp. 153-165.

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Brown, Andrew & Sorensen, Andrew (2009) Interacting with generative music through live coding. Contemporary Music Review, 28(1), pp. 17-30.

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Adeney, Roland & Brown, Andrew R. (2009) Performing with grid music systems. In Improvise : The Australasian Computer Music Conference, 2009-07-02 - 2009-07-04.

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Brown, Andrew R. (2009) SoundCipher.

Brown, Andrew (2009) SoundCipher: A music and sound library for processing. In Scavone, G, da Silva, A, & Verfaille, V (Eds.) Proceedings of the International Computer Music Conference. The International Computer Music Association and The Schulich School of Music, United States of America, pp. 431-434.

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Barrett, Lloyd & Brown, Andrew (2009) Towards a definition of the performing audiovisualist. In Sorensen, A (Ed.) Proceedings of Improvise: the Australasian Computer Music Conference 2009. Australasian Computer Music Association, Australia, pp. 46-55.

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Wooller, Rene & Brown, Andrew (2009) Trase algorithm- Automatic evolutionary morphing of electronic dance music. In Sorensen, A (Ed.) Proceedings of Improvise: the Australasian Computer Music Conference 2009. Australasian Computer Music Association, Australia, pp. 64-71.

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Dillon, Steven & Brown, Andrew (2008) AV jam. [Performance]

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Dillon, Steven, Adkins, Barbara, Brown, Andrew, & Hirche, Kathy (2008) Communities of sound: Examining meaningful engagement with generative music making and virtual ensembles. International Journal of Community Music, 1(3), pp. 357-374.

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Dillon, Steven, Adkins, Barbara, Brown, Andrew, & Hirche, Kathy (2008) Communities of sound: Generative music making and virtual ensembles. In Coffman, D (Ed.) CMA XI: Projects, Perspectives, and Conversation: Proceedings from the International Society for Music Education (ISME) 2008 Seminar of the Commission for Community Music Activity. International Society for Music Education (ISME), Australia, pp. 24-36.

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Sorensen, Andrew & Brown, Andrew (2008) A Computational Model for the Generation of Orchestral Music in the Germanic Symphonic Tradition: A Progress Report. In Hood, A & Wilkie, S (Eds.) Proceedings of the Australasian Computer Music Conference 2008 - Sound: Space. Australasian Computer Music Association, Australia, pp. 78-84.

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Gifford, Toby M. & Brown, Andrew R. (2008) Listening for noise: An approach to percussive onset detection. In Sound : Space - The Australasian Computer Music Conference, 2008-07-13 - 2008-07-13.

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Hedemann, Callum, Sorensen, Andrew, & Brown, Andrew (2008) Metascore: User Interface Design for Generative Film Scoring. In Hood, A & Wilkie, S (Eds.) Proceedings of the Australasian Computer Music Conference 2008 - Sound: Space. Australasian Computer Music Association, Australia, pp. 25-30.

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Brown, Andrew & Sorensen, Andrew (2008) Quanta. [Artefact]

Wooller, Rene W. & Brown, Andrew R. (2008) A framework for discussing tonality in electronic dance music. In Sound : Space - The Australasian Computer Music Conference, 2008-07-13 - 2008-07-13.

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Brown, Andrew (2007) Computers in Music Education: Amplifying Musicality. Routledge, United States of America.

Livingstone, Steven, Muhlberger, Ralf, Brown, Andrew, & Loch, Andrew (2007) Controlling Musical Emotionality: An Affective Computational Architecture for Influencing Musical Emotions. Digital Creativity, 18(1), pp. 43-53.

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Brown, Andrew R., Wooller, Rene W., & Kate, Thomas (2007) The Morph Table: A collaborative interface for musical interaction. In Australiasian Computer Music Conference, 2007-06-19 - 2007-06-21.

Brown, Andrew & Dillon, Steven (2007) Networked Improvisational Musical Environments: Learning Through On-line Collaborative Music Making. In Finney, J & Burnard, P (Eds.) Music Education with Digital Technology. Continuum International Publishing, United Kingdom, pp. 95-106.

Dillon, Steven & Brown, Andrew (2007) Realising the Possiblities of Technology in the Music Education Research and Philosophy. In -. University of Exeter, United Kingdom, Exeter, pp. 1-2.

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Adkins, Barbara, Dillon, Steven, Brown, Andrew, Hirche, Kathryn, & Gibbons, Craig (2007) The Role of Generative Arts in Supporting Cultural Participation: A Conceptualisation of the Jam2Jam Network Jamming Tool. In Docherty, M (Ed.) Proceedings of the 13th International Conference on Virtual Systems and Multimedia. VSMM, Australia, pp. 1-9.

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Brown, Andrew (2007) Software Development as Music Education Research. International Journal of Education and the Arts, 8(6), pp. 1-13.

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Brown, Andrew R. & Sorensen, Andrew C. (2007) aa-cell in practice : an approach to musical live coding. In International Computer Music Conference, 2007-01-01 - 2007-01-01.

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Gifford, Toby & Brown, Andrew (2006) The Ambidrum: Automated Rhythmic Improvisation. In Wilkie, S & Haines, C (Eds.) Medi(t)ations: Computers/Music/Intermedia: Proceedings of the Australasian Computer Music Conference 2006. Australasian Computer Music Association, Australia, pp. 44-49.

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Dillon, Steven & Brown, Andrew (2006) The Art of ePortfolios: Insights from the Creative Arts Experience. In Jafari, A & Kaufman, C (Eds.) Handbook of Research on ePortfolios: Concepts, Technology and Case Studies. Idea Group Publishing, United States of America, pp. 420-433.

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Brown, Andrew (2006) Code Jamming. M/C Journal, 9(6), pp. 1-3.

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Mafe, Daniel & Brown, Andrew (2006) Emergent Matters: Reflections on Collaborative Practice-Led Research. In Vella, R (Ed.) Proceedings: Speculation and Innovation: Applying Practice Led Research in the Creative Industries. Queensland University of Technology, Australia, pp. 1-19.

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Opie, Timothy & Brown, Andrew (2006) An Introduction to Eco-Structuralism. In Suvisoft Oy Ltd (Ed.) Proceedings of the International Computer Music Conference 2006. International Computer Music Association (IMCA) and Tulane University, United States of America, pp. 9-12.

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Gerber, Anna & Brown, Andrew (2006) Visualising Music with Impromptu. In Wilkie, S & Haines, C (Eds.) Medi(t)ations: Computers/Music/Intermedia: Proceedings of the Australasian Computer Music Conference 2006. Australasian Computer Music Association, Australia, pp. 38-43.

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Brown, Andrew & Dillon, Steven (2006) ePortfolios in Arts Learning and Assessment. Music Education Research and Innovation, 12(1), pp. 7-36.

Yuille, Jermey, Forward, Miranda, Brown, Andrew R., Sade, Gavin J., Greg, Jenkins, & Weight, Jenny (2006) senseMix : sharing creative mobile content. In MobileHCI '06: Proceedings of the 8th conference on Human-computer interaction with mobile devices and services. Association for Computing Machinery (ACM), United States of America, pp. 271-272.

Smith, Judith, Dillon, Steven, Nalder, Glenda, & Brown, Andrew (2005) Digital Multimedia Portfolios Supporting Authentic Learning in the Arts. In EIFEL (Ed.) ePortfolio Conference 2004. Europortfolio, France, pp. 235-244.

Livingstone, Steven & Brown, Andrew (2005) Dynamic Response: Real-time Adaptation for Music Emotion. In Pisan, Y (Ed.) The Second Australian Conference on Interactive Entertainment. Creativity and Cognition Studios, Australia, pp. 105-111.

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Brown, Andrew & Voltz, Bradley (2005) Elements of Effective e-Learning Design. International Review of Research in Open and Distance Learning, 6(1), pp. 1-8.

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Brown, Andrew (2005) Exploring Rhythmic Automata. Lecture Notes in Computer Science, 3449, pp. 551-556.

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Brown, Andrew (2005) Extending Dynamic Stochastic Synthesis. In Lewin-Richter, A (Ed.) Conference Proceedings: International Computer Music Conference: ICMC 2005 Free Sound. Escola Superior de Musica de Catalunya, Spain, pp. 111-114.

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Wooller, Rene, Brown, Andrew, Miranda, Eduardo, & Diederich, Joachim (2005) A Framework for Comparison of Process in Algorithmic Music Systems. In Brown, P, Edmonds, E, & Burraston, D (Eds.) Generative Arts Practice. Creativity & Cognition Studio Press, Australia, pp. 109-124.

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Brown, Andrew (2005) Generative music in live performance. In Opie, T & Brown, A (Eds.) Generate and Test: Proceedings of the Australasian Computer Music Conference 2005. Australasian Computer Music Association, Australia, pp. 23-26.

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Livingstone, Steven & Brown, Andrew (2005) Influencing the Perceived Emotions of Music with Intent. In Innocent, T (Ed.) Proceedings of Third Iteration. Centre for Electronic Media Art, Australia, pp. 189-198.

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Wooller, Rene & Brown, Andrew (2005) Investigating Morphing Algorithms for Generative Music. In Innocent, T (Ed.) Proceedings of Third Iteration. Centre for Electronic Media Art, Australia, pp. 189-198.

Brown, Andrew R. (2005) Making music with Java : an introduction to computer music, Java programming, and the jMusic library. Lulu, Raleigh, North Carolina.

Livingstone, Steven, Muhlberger, Ralf, & Brown, Andrew (2005) Playing with affect: music performance with awareness of score and audience. In Opie, T & Brown, A (Eds.) Generate and Test: Proceedings of the Australasian Computer Music Conference 2005. Australasian Computer Music Association, Australia, pp. 89-95.

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Brown, Andrew (2004) An Aesthetic Comparison of Rule-Based and Genetic Algorithms for Generating Melodies. Organised Sound, 9(2), pp. 191-197.

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Brown, Andrew & Jenkins, Gregory (2004) The Interactive Dynamic Stochastic Synthesizer. In Meridan, Lissa (Ed.) Proceedings of the Australian Computer Music Conference 2004 Ghost in the Machine Performance Practice in Electronic Music. The Australasian Computer Music Association, Fitzroy, VIC, pp. 18-22.

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Brown, Andrew (2004) Playing with Dynamic Sound. In Gibson, R & Edmonds, E (Eds.) Interaction: Systems, Practice & Theory. Creativity & Cognition Studios Press, University of Technology, Sydney, Sydney, NSW, pp. 435-450.

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Brown, Andrew (2003) Australasian Digital Instrument Building. In Converging Technologies: Australasian Computer Music Association Conference 2003 Proceedings. Australasian Computer Music Association, Australia, Victoria, pp. 21-26.

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Dillon, Steven, Nalder, Glenda, Brown, Andrew, & Smith, Judith (2003) Digital Multimedia Portfolios (D-MAP) in Music Learning. In Barton, G & Hartwig, K (Eds.) Artistic Practice as Research - Australian Association for Research in Music Education: Proceedings of the XVth Annual Conference. AARME Melbourne, Australia, Victoria, pp. 51-64.

Brown, Andrew (2003) Software Development As Research. In Barton, G & Hartwig, K (Eds.) Artistic Practice As Research - Proceedings of the XVth Annual Conference (Australian Association for Research in Music Education). AARME Melbourne, Australia, Victoria, pp. 1-7.

Brown, Andrew R. (2002) Opportunities for Evolutionary Music Composition. In Australasian Computer Music Conference, 2008-07-10 - 2008-07-12, Australia.

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Brown, Andrew (2001) How the Computer assists composers. In Waveform 2001: a digital music conference. ACMA, western Sydney.

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Brown, Andrew (2001) Modes of Compositional Engagement. MikroPolyphonie.

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Brown, Andrew, Towsey, Michael, Wright, Susan, & Deiderich, Joachim (2001) Statistical Analysis of the features of diatonic music using jMusic software. In Computing Artrs 2001. University of Sydney Library, Sydney, pp. 1-11.

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Towsey, Michael, Brown, Andrew, Wright, Susan, & Diederich, Joachim (2001) Towards Melodic Extension Using Genetic Algorithms. Educational Technology and Society, pp. 54-65.

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Brown, Andrew R. & Sorensen, Andrew C. (2000) Introducing jMusic. In Australasian Computer Music Conference, 2000-07-05 - 2000-07-08.

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Brown, Andrew R. (1999) An Introduction to Music Analysis with Computer. XArt Online Journal, 4(1).

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Brown, Andrew R. (1999) Music, media and making : humanising digital media in music education. International Journal of Music Education, 33(May), pp. 10-17.

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Brown, Andrew R. (1999) Tools and Outcomes: Computer music systems and musical directions. In Australasian Computer Music Conference 1999, 1999-07-07 - 1999-07-07.

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Brown, Andrew R. (1998) Composer Views: Context in the use of computers for musical composition. In Actes des Journees d'Imformatique Musicale 1998, 1998-01-01 - 1998-01-01.

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Brown, Andrew R. (1998) Composing by Pen: Exploring the effectiveness of a system for writing music notation on computers via pen input. Australian Journal of Music Education, 1998(1), pp. 48-56.

Brown, Andrew (1997) Changing Technologies, Changing Minds: Taking Account of Music Technologies in the Curriculum. In New Sounds for a New Century. Aust. Society for Music Education, Brisbane, Queensland.

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Brown, Andrew (1996) The Art of Engaging: Implications for Computer Music Systems. In ACMA ‘96 Conference Proceedings. Aust. Computer Music Assoc., Brisbane, pp. 27-35.

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Brown, Andrew R. (1995) Digital Technology and the Study of Music. International Journal of Music Education, 25(1), pp. 14-19.

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Brown, Andrew R. (1995) Defining synthesizer teaching. In Honing the Craft : Improving the quality of music education, ASME 10th National Conference, 1995-06-29 - 1995-07-02.

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Brown, Andrew R. (1994) Teaching Synthesizer Performance. Research Studies in Music Education, pp. 25-35.

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Brown, Andrew R. (1994) Computing in performing arts education and practice. In Learning Environment Technology Australia 1994, 1994-09-25 - 1994-09-28.

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Brown, Andrew R. (1993) HyperCard test engine using Rasch Analysis. In ACILITE 93 Conference: Reaching out with I.T., 1993-12-06 - 1993-12-08.

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Brown, Andrew R. & Purcell, Kevin (1987) Using computers in the music classroom. In The Australian Computer Conference: Schools' Congress, 1987-09-08 - 1987-09-11.

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