Current > Schools > School of Creative Practice

Ali-Haapala, Anja, Moyle, Gene, & Kerr, Graham (2018) Ballet moves for adult creative health: Stage One - Research Report. Queensland Ballet, Australia.

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Demers, Louis-Philippe, Vorn, Bill, & Ismert, Louise (1998) Louis-Philippe Demers et Bill Vorn : La Cour des miracles. Musée d'art Contemporain de Montréal, Montreal, Canada.

Demers, Louis-Philippe, Vorn, Bill, Kaldrack, Irina, & Noring, Hermann (2003) Louis-Philippe Demers & Bill Vorn : Es-Das Wesen der Maschine. Osnabrück : European Media Art Festival, Osnabrück, Germany.

Dezuanni, Michael, Burgess, Jean, Thomas, Julian, Wilson, Chris, Marshall, Amber, Barraket, Josephine, Ewing, Scott, & MacDonald, Trent (2017) Measuring Queensland's digital divide: The Australian Digital Inclusion Index 2017: Queensland. RMIT University, Australia.

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Elkington, Ruari, Van Hemert, Tess, & Batch, Morgan (2023) Brisbane International Film Festival 2022: Audience Survey Report. Digital Media Research Centre, Queensland University of Technology, Brisbane, Qld.

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Gattenhof, Sandra, Hancox, Donna, Klaebe, Helen, & Mackay, Sasha (2021) The Social Impact of Creative Arts in Australian Communities. Springer, Singapore.

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Gattenhof, Sandra, Hancox, Donna, Klaebe, Helen, & Mackay, Sasha (2023) The role of the creative arts in regional Australia: A social impact model. Queensland University of Technology, Brisbane, Qld.

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Gattenhof, Sandra Jane (2019) Evaluation of Queensland Ballet’s Petit Pointers Teacher Training Program for dance teachers. (Unpublished)

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Gattenhof, Sandra Jane, Seffrin, Georgia, & Grant-Iramu, Michelle (2018) Evaluation of Australian Performing Arts Market 2014-2018: Year Three Executive Summary. (Unpublished)

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Gattenhof, Sandra Jane, Seffrin, Georgia, & Grant-Iramu, Michelle (2018) Evaluation of Australian Performing Arts Market 2014-2018: Year Three Report. (Unpublished)

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Hadley, Bree, Strnadova, Iva, Goggin, Gerard, Harvey, Erol, Fisher, Karen R., Sherrington, Cathie, Winn, Ryan, Palmer, Lauren, Wotton, Tim, McEwen, Jade, Avery, Scott, Davy, Laura, & Mellifont, Damian (2022) Ensuring Occupations are Responsive to People with Disability: Input report: Disability and the Arts, Creative, and Cultural Industries in Australia. Professor Bree Hadley and the Australian Academy of the Humanities. Australian Council of Learned Academies (ACOLA), Canberra, ACT.

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Hancox, Donna, Gattenhof, Sandra, Klaebe, Helen, Wright-Brough, Freya, Batch, Morgan, & Smith, Imogen (2024) Social Impact Framework for Puuya Foundation. Queensland University of Technology, Brisbane, Qld.

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Hart, Phoebe (2024) Crafting Contemporary Documentaries and Docuseries for Global Screens: Docu-mania. Lexington Books, Lanham, MD.

Ryan, Mark David, Macrossan, Phoebe, Innes, Peter, & Stieler-Hunt, Colleen (2023) Screen Production on the Sunshine Coast. University of the Sunshine Coast, Sippy Downs, Qld.

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Saggers, Beth, Odier-Guedj, Delphine, Whelan, Michael, & Ashburner, Jill (2022) Collaborative Partnerships in Action: Final Report. Autism CRC, Brisbane, Qld.

Beer, Tanja, Rixon, Tessa, & Garrett, Ian (2023) The Global EcoDesign Charrette in Action: Exploring Ecoscenography in Performance Design Education. In Humalisto, Tomi & Kilpelainen, Raisa (Eds.) Sustainable Choices: Potentials and Practices in Performance Design. University of the Arts, Helsinki, Helsinki, Finland, pp. 103-116.

Bennett, Joel & Carter, Chris (2017) Performance capture: Split between the fictitious and physical world. In Gray, T, Ellis, S, Patterson, D, & Della-Bosca, D (Eds.) Apple University Consortium (AUC) CreateWorld Conference Proceedings. AUC and Griffith Centre for Creative Arts Research, Australia, pp. 88-92.

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Butler-Rees, Angharad & Hadley, Bree (2023) Exploring the Role of the Disabled Body as a Vehicle and Art Form within Anti-Austerity Protest. In Zebracki, Martin & McNeill, Z. Zane (Eds.) Politics as Public Art: The Aesthetics of Political Organizing and Social Movements. Routledge, Abingdon, Oxon, pp. 116-132.

Candusso, Damian (2019) Creating and designing the contemporary soundtrack: A case study. In Batty, C., Berry, M., Dooley, K., Frankham, B., & Kerrigan, S. (Eds.) The Palgrave Handbook of Screen Production. Palgrave Macmillan, Switzerland, pp. 221-230.

Candusso, Damian (2020) Designing sound for 3D films. In Filimowicz, M (Ed.) Foundations in sound design for linear media: A multidisciplinary approach (Sound Design). Routledge, United States of America, pp. 191-210.

Candusso, Damian (2017) Designing spatial sound: Adapting contemporary screen sound design practices for virtual reality. In Proceedings of the Australia Section of the Society of Motion Picture and Television Engineers (SMPTE) Conference: Embracing Connective Media. Institute of Electrical and Electronics Engineers Inc., United States of America, pp. 1-10.

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Candusso, Damian (2016) The immersive cinematic sound space: audience perspectives. In Kerrigan, S, Dooley, K, & Frankham, B (Eds.) Proceedings of the 13th Annual Australian Screen Production Education and Research Association (ASPERA) Conference. Australian Screen Production Education and Research Association (ASPERA), Australia, pp. 1-15.

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Cerny, E., Bois, G., Bourgault, M., Demers, L.-P., Roy, C., Fauvel, S., & Jacques, P. (1989) Integration of VLSI CAD tools based on cell-objects: The CHESHIRE system. In Zobrist, George W. (Ed.) Progress in Computer-Aided VLSI Design. Ablex Publishing, Norwood, N.J., pp. 235-272.

Demers, Louis-Philippe (2005) L'Assemblee et Le Proces. In Robots: From Science Fiction to Technological Revolution. Harry N. Abrams, New York, pp. 474-479.

Demers, Louis-Philippe & Horakova, Jana (2008) Anthropocentrism and the staging of robots. In Adams, Randy, Gibson, Steve, & Müller Arisona, Stefan (Eds.) Transdisciplinary Digital Art : Sound, Vision and the New Screen. Vol. 7. Springer, Berlin, pp. 434-450.

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Garrett, Ian, Beer, Tanja, & Rixon, Tessa (2023) Global Network Learning EcoDesign Charrette. In Bilodeau, Chantal (Ed.) The Future Is Not Fixed: Short Plays Envisioning a Global Green New Deal. Applause Theatre & Cinema Books, Lanham, MD, pp. 21-26.

Hadley, Bree, Paterson, Eddie, Little, Madeleine, & Duncan, Kath (2024) How Disability Performance Travels in Australia: The Reality Under the Rhetoric. In Czymoch, Christiane, Maguire Rossier, Kate, & Schmidt, Yvonne (Eds.) How Does Disability Performance Travel?: Access, Art, and Internationalization. Routledge, Abingdon, Oxon, pp. 62-76.

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Hancox, Donna (2017) Amplified stories: digital technology and representations of lived experiences. In Gair, S & van Luyn, A (Eds.) Sharing qualitative research: showing lived experience and community narratives [Routledge Advances in Research Methods]. Routledge, United Kingdom, pp. 204-218.

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Hancox, Donna & Klaebe, Helen (2017) Transmedia storytelling. In Moy, P (Ed.) Communication [Oxford Bibliographies]. Oxford University Press, United Kingdom, pp. 1-13.

Harper-Hill, Keely, Carrington, Suzanne, Saggers, Beth, & Whelan, Michael (2021) Summary and propositions. In Carrington, Suzanne, Saggers, Beth, Harper-Hill, Keely, & Whelan, Michael (Eds.) Research Approaches to Supporting Students on the Autism Spectrum in Inclusive Schools: Outcomes, Challenges and Impact. Routledge, Abingdon, Oxon, pp. 121-129.

Harper-Hill, Keely, Carrington, Suzanne, Saggers, Beth, & Whelan, Michael (2021) Summary and propositions. In Carrington, Suzanne, Saggers, Beth, Harper-Hill, Keely, & Whelan, Michael (Eds.) Supporting Students on the Autism Spectrum in Inclusive Schools: A Practical Guide to Implementing Evidence-Based Approaches. Routledge, Abingdon, Oxon, pp. 151-157.

Lobwein, Guy & McKewen, Daniel (2024) Expanded Experience: an 'artist-bricoleur' approach to writing VR in contemporary art. In Kath Dooley & Munt, Alex (Eds.) Screenwriting for Virtual Reality: Story, Space and Experience. Palgrave Macmillan, Cham, Switzerland, pp. 205-229.

Maher, Sean (2020) Cinema Studies. In Filimowicz, Michael & Tzankova, Veronika (Eds.) Reimagining Communication: Mediation . [1 ed.]. Routledge, United States of America, pp. 40-54.

Maher, Sean & Kerrigan, Susan (2019) Digital disruption and innovation in distribution: Opportunities for research-based filmmaking in the new global screen ecology. In Kerrigan, S (Ed.) The Palgrave handbook of screen production. Palgrave Macmillan, Switzerland, pp. 347-362.

Morris, Austin, Wilkinson, Sara, Algeo, Chivonne, & Candusso, Damian (2016) Measuring project success in local government. In Proceedings of the 30th Annual Australian New Zealand Academy of Management Conference. Australian and New Zealand Academy of Management (ANZAM), Australia, pp. 1-14.

Moyle, Gene (2019) Governance on the move: Actively applying ethics in sport, exercise and performance psychology settings. In Mugford, A & Cremades, J G (Eds.) Sport, exercise, and performance psychology: Theories and applications. Routledge, United States of America, pp. 34-46.

Moyle, Gene (2019) Supervision in performance settings (dance, music, acting). In Oxford Research Encyclopedia of Psychology. Oxford University Press, United Kingdom, pp. 1-17.

Rieger, Janice, Hadley, Bree, Barron, Sarah, Boulton, Sarah, & Parker, Catherine (2023) Codesigning Access: A New Approach to Cultures of Inclusion in Museums and Galleries. In Cachia, Amanda (Ed.) Curating Access: Disability Art Activism and Creative Accommodation. Routledge, Abingdon, Oxon, pp. 183-195.

Ryan, Mark David (2024) Film, Cinema and Streaming. In Griffen-Foley, Bridget & Turnbull, Sue (Eds.) The Media and Communications in Australia. [5th ed.]. Routledge, Abingdon, Oxon, pp. 168-183.

Ryan, Mark David (2022) Generating Publicity and Engaging with the Media to Promote Academic Research. In Leavy, Patricia (Ed.) Popularizing Scholarly Research: The Academic Landscape, Representation, and Professional Identity in the 21st Century. Oxford University Press, New York, NY, pp. 227-247.

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Ryan, Mark David, Couzens, Andrew, & Balanzategui, Jessica (2023) From Z-grade to prestige horror: Australian horror movie production and distribution from 2010 to 2020. In Falvey, Eddie & Haylett Bryan, Alice (Eds.) Global Horror Production in the Twenty-First Century. Edinburgh University Press. (In Press)

Takeuchi, Reina (2022) Countermoves of the Transcultural: Moving With and Against. In Proceedings of the ACUADS 2022 Conference: Public Pedagogy - forms of togetherness. Australian Council of University Art and Design Schools (ACUADS), Australia.

Thomson, T.J., Patrick, Rhianna, Mclaughlin, Juliana, Dezuanni, Michael, & King-Smith, Leah (2021) Aboriginal and Torres Strait Islander Perspectives in Journalism: Co-Designing A More Inclusive Media Future. In Proceedings of the 2021 Journalism Education Research Association of Australia Conference (JERAA): Journalism, policy and Politics. The Journalism Education and Research Association of Australia Incorporated (JERAA Inc)., Australia.

Turner, Jane, Seevinck, Jen, Foth, Marcus, Armstrong, Keith, Vickery, Nicole, Kelly, Nick, Tyurina, Anastasia, McKinnon, Heather, Low, Amari, & Davies, Lowana (2022) Kinning With The Unseen More-Than-Human: Re-Sensing Barrambin's Disappeared Waterways And Creeks For Community Connection To Place. In Proceedings of the ACUADS 2022 Conference: Public Pedagogy - forms of togetherness. Australian Council of University Art and Design Schools (ACUADS), Australia.

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Ashworth, Karike & Pedersen, Courtney (2023) The feminine bravery construct: the crisis of neoliberal feminine bravery in the #MeToo moment. Feminist Media Studies, 23(5), pp. 2355-2373.

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Balfour, Michael, Cattoni, Jan, Sextou, Persephone, Herbert, Anthony, Seear, Lynne, Lobwein, Guy, Gibson, Margaret, & Penton, Jennifer (2022) Future stories: co-designing virtual reality (VR) experiences with young people with a serious illness in hospital. Research in Drama Education, 27(4), pp. 458-474.

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Batch, Morgan & Ryan, Mark David (2024) Dementia and Contemporary Horror Movies: Gendered Ageing and the Haunted Home. New Review of Film and Television Studies, 22(3). (In Press)

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Blackler, Alethea, Desai, Shital, Swann, Levi, Chamorro-Koc, Marianella, Moyle, Gene, & Stephens, Mikaela (2019) Using technology to enhance and encourage dance-based exercise. Heliyon, 5(3), Article number: e01241 1-28.

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Blevins, Peta, Erskine, Shona, Hopper, Luke, & Moyle, Gene (2020) Finding your balance: An investigation of recovery-stress balance in vocational dance training. Journal of Dance Education, 20(1), pp. 12-22.

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Cake, Sue, Maher, Sean, & McGrath, Tony (2021) Leveraging collaboration: script development processes in low budget Australian feature filmmaking. Studies in Australasian Cinema, 15(3), pp. 132-146.

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Candusso, Damian (2012) Aural landscapes: Designing a sound environment for screen. Screen Sound Journal, 3, pp. 121-133.

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Candusso, Damian (2015) Creating a homogenous 3-D auditory image. The International Journal of New Media, Technology and the Arts, 10(3), pp. 11-16.

Candusso, Damian (2016) Designing a sonic landscape: A practice-led approach to creating 3-D sound space for screen. Fusion, 10, pp. 144-161.

Candusso, Damian (2016) Digital 3D and the contemporary soundtrack: Competing cinema spaces. The New Soundtrack, 6(1), pp. 63-76.

Candusso, Damian & Thompson, Jen (2014) How sound design shapes the audience's response in Baz Luhrmann's 'Australia'. The International Journal of the Image, 5(1), pp. 25-31.

Cantrell, Kate (2009) Pulping Affirmation: Danny Wallace's Yes Man. M/C Reviews.

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Carah, Nicholas, Regan, Scott, Goold, Lachlan, Rangiah, Lillian, Miller, Peter, & Ferris, Jason (2021) Original live music venues in hyper-commercialised nightlife precincts: exploring how venue owners and managers navigate cultural, commercial and regulatory forces. International Journal of Cultural Policy, 27(5), pp. 621-635.

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Darchen, Sébastien, Browning, Yanto, & Willsteed, John (2023) Alternative Brisbane: Evolution of goth and punk subcultures as 'counter-cities'. Cities, 141, Article number: 104484.

Dezuanni, Michael, Reddan, Bronwyn, Rutherford, Leonie, & Schoonens, Amy (2022) Selfies and shelfies on #bookstagram and #booktok - social media and the mediation of Australian teen reading. Learning, Media and Technology, 47(3), pp. 355-372.

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Dooley, Kathleen, Aquilia, Pieter, Berry, Marsha, Frankham, Bettina, Hart, Phoebe, & Verdon, James (2024) Exploring the continuing effects of COVID-19 on tertiary screen production education in Australia. Media Practice and Education.

Gislason, Kari (2016) Layers of Entrapment. Australian Book Review, p. 22.

Gislason, Kari (2021) Retelling the Icelandic Family Sagas. Postmedieval, 12(1-4), pp. 53-73.

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Gislason, Kari (2017) Review of "Scandinavians: In search of the soul of the North" by Robert Ferguson. Australian Book Review.

Gislason, Kari (2019) Review or 'Henrik Ibsen: The man and the mask' by Ivo de Figueiredo, translated by Robert Ferguson. ABR (Australian Book Review), 414.

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Gonsalves, Kavita, Fa'aleava, Agapetos, Ha, Thanh Lan, Junpiban, Naputsamohn, Narain, Natasha, Foth, Marcus, & Caldwell, Glenda (2023) TransHuman Saunter: Multispecies Storytelling in Precarious Times. Leonardo, 56(2), pp. 125-132.

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Hadley, Bree, Batch, Morgan, & Whelan, Michael (2021) The entitled ally: Authorship, consultation, and the 'right' to stage autistic people's stories. Disability and Society, 36(9), pp. 1489-1509.

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Hadley, Bree, Paterson, Eddie, & Little, Madeleine (2022) Quick Trust and Slow Time: Relational Innovations in Disability Performing Arts Practice. International Journal of Disability and Social Justice, 2(1), pp. 74-94.

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Hancox, Donna (2017) From subject to collaborator: Transmedia storytelling and social research. Convergence, 23(1), pp. 49-60.

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Hancox, Donna, Gattenhof, Sandra, Mackay, Sasha, & Klaebe, Helen (2022) Pivots, arts practice and potentialities: Creative engagement, community wellbeing and arts-led research during COVID-19 in Australia. Journal of Applied Arts and Health, 13(1), pp. 61-75.

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Harper-Hill, Keely, Beamish, Wendi, Hay, Stephen, Whelan, Michael, Kerr, Jeremy, Zelenko, Oksana, & Villalba, Clare (2022) Teacher engagement in professional learning: What makes the difference to teacher practice? Studies in Continuing Education, 44(1), pp. 105-118.

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Holland-Batt, Sarah (2019) [Book Review] 'Act of Grace' by Anna Krien. The Monthly, p. 88.

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Holland-Batt, Sarah (2018) [Book review] Alice Nelson's The Children's House. Australian Book Review, 405.

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Holland-Batt, Sarah (2008) Broken lives on the mend (Review of White Clay, by Lucy Dougan). The Sydney Morning Herald, 14 June, p. 39.

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Holland-Batt, Sarah (2019) 'Cadavers, Suicides, Electra Complexes': Sylvia Plath's Haunting Last Letters (Rev. of The Letters of Sylvia Plath Volume 2: 1956-1963). Australian Book Review, Jan-Feb, pp. 8-10.

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Holland-Batt, Sarah (2018) David Malouf's An Open Book: Late Style Rejoices in Present Perfect (Rev. of An Open Book, by David Malouf). The Weekend Australian.

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Holland-Batt, Sarah (2008) Disoriented with Dietrich: A Real Surreal Deal (Review of Wig Hat On, by Phillip Hammial). The Sydney Morning Herald, Spectrum, p. 25.

Holland-Batt, Sarah (2014) Empathic Leap (Review of South in the World, by Lisa Jacobson). Australian Book Review, p. 66.

Holland-Batt, Sarah (2008) Masterwork of Life and Land (Review of Revolving Days, by David Malouf). The Sydney Morning Herald, Spectrum(14 March 2008), p. 32.

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Holland-Batt, Sarah (2018) Review of "Feel Free by Zadie Smith". Australian Book Review, April(400).

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Holland-Batt, Sarah (2017) Review of A.S. Patric's 'Atlantic Black' and Jane Harper's 'Force of Nature'. Books and Arts.

Holland-Batt, Sarah (2008) Rhyme of the Mad Mariner (Review of Jack, by Judy Johnson). The Sydney Morning Herald, Spectrum, p. 31.

Holland-Batt, Sarah (2008) Roving Eye on Shifting Sands (Review of Erasure Traces: Selected Works II, by John Watson). The Sydney Morning Herald, Spectrum, p. 29.

Holland-Batt, Sarah (2019) Sydney Push and Family Pull (Rev. of Leeward: A Memoir, by Geoffrey Lehmann. Sydney: NewSouth Publishing, 2018. 417pp.). The Weekend Australian, p. 16.

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Kelly, Kathryn & Rixon, Tessa (2023) The Dramaturgy of Defunding: Developing a History of the Defunding of Australian Theatre Organisations from 1975 to 2023. Performance Paradigm, 18, pp. 76-86.

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Kerr, Jeremy, Whelan, Michael, Zelenko, Oksana, Harper-Hill, Keely, & Villalba, Clare (2022) Integrated Co-design: A Model for Co-designing with Multiple Stakeholder Groups from the 'Fuzzy' Front-end to Beyond Project Delivery. International Journal of Design, 16(2), pp. 75-90.

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King-Smith, Leah (2022) Evocations: A Visual Song/Poem for Canaipa. Pacific Arts: The Journal of the Pacific Arts Association, 22(2), pp. 149-155.

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Koszolko, Martin K. & Studley, Thomas (2023) From Site-Specific Sampling to Gamification: An exploration of performative engagement with the environment. Organised Sound, 28(3), pp. 338-351.

Lynch, Daniel, McGowan, Lee, & Hancox, Donna (2017) Iterative multimodality: An exploration of approaches to transmedia writing. TEXT: Journal of Writing and Writing Programs, 21(2), pp. 1-12.

Mackay, Sasha (2019) "Indigenous Stories, Stories of Place": Making digital stories with youth in Bundaberg. Oral History Association of Australia Journal, Issue 40, pp. 2-8.

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Mackay, Sasha, Klaebe, Helen, Hancox, Donna, & Gattenhof, Sandra (2021) Understanding the value of the creative arts: place-based perspectives from regional Australia. Cultural Trends, 30(5), pp. 391-408.

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Marshall, Amber, Dezuanni, Michael, Osman, Kim, Schoonens, Amy, & Mitchell, Peta (2024) Measuring digital skills in community adult learning settings: implications for Australian policy development. Communication Research and Practice, 10(1), pp. 23-44.

McGowan, Lee & Downes, Greg (2018) The challenges remain: A 'new' view of old perspectives on the history of women's football in Australia. Social Alternatives, 37(2), pp. 62-70.

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McNamara, Andrew E. (2018) ‘Condensing magnitudes: Robert Smithson’s “Time Crystals”. Art Monthly Australasia, September(310), pp. 36-38.

Missingham, Racheal & Hadley, Bree (2022) Oppression and allyship in Australia's Deaf Arts. Australasian Drama Studies, 80, pp. 304-332.

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Morris, Austin, Wilkinson, Sara, Algeo, Chivonne, & Candusso, Damian (2024) Project Performance Reporting in New South Wales Local Government. International Journal of Public Administration, 47(4), pp. 269-282.

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Morris, Austin, Wilkinson, Sara, Algeo, Chivonne, & Candusso, Damian (2020) Project management maturity levels and organizational revenue in New South Wales local government. Journal of Modern Project Management, 8(2), Article number: 24 158-166.

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Moyle, Gene (2019) Coaching performing artists. Consulting Psychology Journal: Practice and Research, 71(2), pp. 97-106.

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Park, Younghee, Neideck, Jeremy, & Heim, Caroline (2021) South Korean Audiences and their Interactive Performance in the Madang Then and Now. Critical Stages/Scenes critiques, 2021(24).

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Pike, Shane, Mackay, Sasha, Whelan, Michael, Hadley, Bree, & Kelly, Kathryn (2020) 'You can't just take bits of my story and put them into some play': Ethical dramaturgy in the contemporary Australian performance climate. Performing Ethos, 10(1), pp. 69-87.

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Puljević, Cheneal, Carah, Nicholas, Miller, Peter G., Wood, Barbara, MacFarlane, Callum, Kilpatrick, Emily, Goold, Lachlan, Regan, Scott, & Ferris, Jason (2021) The impact of the Queensland Government's Tackling Alcohol-Fuelled Violence Policy on live music performances in Fortitude Valley, Brisbane, Australia. Drug and Alcohol Review, 40(5), pp. 738-745.

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Radclyffe, Charles J.T., Aia-Fa'aleava, Agapetos, Avia, Princess, Utiku-Roberts, Daniel, Soo Choon, Genevieve, Tafa, Sarai, & Durham, Joanne (2023) 'FOB', 'plastic' and polycultural capital: experiences of social labelling of Pasifika young peoples in South-east Queensland, Australia. Journal of Youth Studies.

Rixon, Tessa, Garrett, Ian, & Beer, Tanja (2022) Global Networked Ecoscenography: Creating Sustainable Worlds for Theatre Through International Collaboration. Critical Stages/Scenes critiques, 26.

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Ryan, Mark David, Healy, Guy, & Cunningham, Stuart (2022) Where Are They Now? Career Sustainability and Australian Web-Series Producers. Media International Australia.

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Saward, Melanie & El Sayed, Sara (2020) Behaviours in a peer-only creative writing HDR support group: The experiences of two students of colour. TEXT: Journal of Writing and Writing Programs, 24(Special issue 59), pp. 1-14.

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Schweitzer, Robert, Mackay, Sasha, Hancox, Donna, & Khawaja, Nigar (2021) Fostering belonging in a CALD school environment: Learning from a research collaboration with a refugee and migrant school community in Australia. Intercultural Education, 32(6), pp. 593-609.

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Sheikh, Hira, Deary, Isabella, Davies, Lowana, Davies, Merinda, Foth, Marcus, & Mitchell, Peta (2023) Creative futuring for more-than-human worlds: Exhibitions as sites to ponder environmental governance. Leonardo, 56(6), pp. 606-612.

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Sonke, Jill, Rodriguez, Alexandra K., Colverson, Aaron, Akram, Seher, Morgan, Nicole, Hancox, Donna, Wagner-Jacobson, Caroline, & Pesata, Virginia (2023) Defining 'Arts Participation' for Public Health Research. Health Promotion Practice.

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Stoyanov, Stoyan R., Zelenko, Oksana, Staneva, Aleksandra, Kavanagh, David J., Smith, Calvin, Sade, Gavin, Cheers, Jessica, & Hides, Leanne (2021) Development of the niggle app for supporting young people on their dynamic journey to well-being: Co-design and qualitative research study. JMIR mHealth and uHealth, 9(4), Article number: e21085.

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Thomson, T.J., Mclaughlin, Juliana, King-Smith, Leah, Bell, Aaron, & Tsimpikas, Matthew (2022) Indigenous Knowledges and Perspectives in University Journalism Education: Exploring experiences, challenges, and opportunities. Australian Journalism Review, 44(1), pp. 39-60.

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Vang, Jan, Maher, Sean, & Brambini, Annalisa (2018) Emergence of film industries in small countries: On the needs for an integrated cluster and branding strategy. World Review of Entrepreneurship, Management and Sustainable Development, 14(5), pp. 637-656.

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Whelan, Michael, Wright-Brough, Freya, Hancox, Donna, & Browning, Yanto (2023) The generous boys and the nice to meet you band: Students from migrant and refugee backgrounds as leaders in reshaping university values through creative arts-based programmes. International Journal of Inclusive Education, 27(1), pp. 1-17.

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Xuan Pham, Thu Dinh, Blue, Levon E., Baeza, Angela, Anderson, Peter, Xing, Luna, & Saward, Melanie (2024) Higher Education Success Factor Model: A Means to Explore Factors Influencing Indigenous Australian Completion Rates. Student Success.

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Zdenek, Christina N., Staples, Timothy, Hay, Chris, Bourke, Lachlan N., & Candusso, Damian (2023) Sound garden: How snakes respond to airborne and groundborne sounds. PLoS ONE, 18(2), Article number: e0281285 e0281285.

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Altman, Dennis, Ford, Jessica, McWilliam, Kelly, Hart, Phoebe, Gaunson, Stephen, & Richards, Stuart (2024) 'Searing glory holes', a shapeshifting cat and outback UFO tours: what we're streaming this April. The Conversation, 2 April 2024. [Book/Film/Article Review]

Cantrell, Kate (2011) Fantasy Couples. Rex: A Journal of New Writing, 4 November 2011. [Article]

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Cantrell, Kate (2012) Getting the Words Right. Writing Queensland Magazine, March 2012. [Article]

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Cantrell, Kate (2014) Putting Lines on the Lives. Writing Queensland, 2014(237), February 2014. [Article]

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Cantrell, Kate, Crowe, Nicole, & Belinda, Hilton (2011) Of Universities and Salons. Avid Reader Magazine, July 2011. [Article]

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Crawford, Fiona & McGowan, Lee (2017) The Homeless World Cup: tackling homelessness, playing football and telling stories. The Writing Platform, May, 2017. [Article]

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Fahd, Cherine, McAlister, Jodi, French, Lisa, Hart, Phoebe, Williamson, Rachel, & Richards, Stuart (2024) Chemical attraction, a whodunit murder mystery and tensions at the mosque: what we're streaming this March. The Conversation, 1 March 2024. [Book/Film/Article Review]

Gattenhof, Sandra & Hancox, Donna (2023) People-Centered Evaluation & Learner-Centered Assessment in the Arts. Kadenze, 8 February 2023. [Featured article]

Gislason, Kari (2020) Aftershocks: Selected writings and interviews by Anthony Macris. Australian Book Review, March 2020. [Book/Film/Article Review]

Gislason, Kari (2019) Conductor's orders. The Saturday Paper, 264, 3 August 2019. [Creative Work]

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Hadley, Bree & Goggin, Gerard Michael (2022) Disability Training: Transforming Professions or 'Not Seeing Us' Yet Again: Australian Academy of Humanities. Five Minute Friday Read. Australian Academy of the Humanities, 2022. [Article]

Harrignton, Erin, Hill, Edith Jennifer, McEntee, Joy, Giuffre, Liz, Hart, Phoebe, & Richards, Stuart (2024) Psychological drama, wilderness reality and everyone's favourite dog: the best of streaming this May. The Conversation, 1 May 2024. [Book/Film/Article Review]

Harrignton, Erin, O'Regan, Jadey, Deller, Marina, Hart, Phoebe, & Richards, Stuart (2024) Carriage romps, good vibrations and a web of lies: what we're streaming in June. The Conversation, 3 June 2024. [Book/Film/Article Review]

Hart, Phoebe (2024) Docu-mania: The Introduction to Crafting Contemporary Documentaries and Docuseries for Global Screens. Film International, 2 June 2024. [Featured article]

Hart, Phoebe (2024) A truly international slate: your guide to the 2024 Oscar nominees for best documentary. The Conversation, 4 March 2024. [Featured article]

Hutchison, Steph (2018) Little ease creates agile beasts: training dance professionals of the future. Non Traditional Research Outcomes, 2 March 2018. [Article]

McGowan, Lee (2017) From banned to international glory, women's soccer has sown a rich field for the future. The Conversation, February, -, 2017. [Article]

118

Moyle, Gene (2017) Burning out or burning bright? Dance Australia, 2017/2018(213), pp. 33-36, 2017. [Article]

Pedersen, Courtney Brook (2018) Some of my earliest memories involve fabric. 'Fantasies' by Hannah Gartside, May 2018. [Article]

5

Pike, Shane & Griffiths, Emma (2017) What's your idea of the perfect man? Drive, 8 November 2017. [Article]

Rutherford, Anne, Altman, Dennis, Harrignton, Erin, Ford, Jessica, Deller, Marina, & Hart, Phoebe (2024) Black comedy, political drama and a documentary about a cult: what we're streaming this February. The Conversation, 2 February 2024. [Book/Film/Article Review]

Thomson, T.J., Mclaughlin, Juliana, & King-Smith, Leah (2022) University journalism courses need to teach about cultural safety before students enter the workforce. The Conversation, 18 July 2022. [Article]

Whelan, Michael (2020) Words: Foundation Bricks in a Media Warehouse. The Writing Platform, 2 December 2020. [Featured article]

Blevins, Peta, Hopper, Luke, Erskine, Shona, & Moyle, Gene Margaret (2017) Overtraining and recovery in dance: A case study approach. In Australian Society for Performing Arts Healthcare 2017 Symposium (ASPAH), 2017-11-25 - 2017-11-25. (Unpublished)

422

Blevins, Peta & Moyle, Gene Margaret (2017) Mindfulness training in vocational dance. In Australian Society for Performing Arts Healthcare 2017 Symposium (ASPAH), 2017-11-25 - 2017-11-25. (Unpublished)

207

Candusso, Damian (2014) The battle of 3D film volumes: Sound v's image. In ASPERA Conference 2014: Screen Explosion, Expanding Practices, Narratives and Education for the Creative Screen Industries, 2014-07-17 - 2014-07-19. (Unpublished)

28

Cantrell, Kate (2010) Eat, Pray, Vomit: The Fine Line Between Self-Affirmation and Self-Preoccupation in Popular Women’s Travel Writing. In Ignite: Biannual Multidisciplinary Research Conference, 2010-10-27 - 2010-10-29. (Unpublished)

57

Cantrell, Kate (2014) ‘I’m Telling You Stories, Trust Me’: Blending the Marvellous and Mimetic Modes of Discourse in Jeanette Winterson’s Memoirs and Autobiographies. In Motherhood, Feminisms, and the Future: 7th Australian International, Interdisciplinary Conference on Motherhood, 2014-07-17 - 2014-07-20. (Unpublished)

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Cantrell, Kate (2014) Mum’s the Word: The Cyclical Nature of Family Secrets and the Endless Orbit They Repeat. In Motherhood, Feminisms, and the Future: 7th Australian International, Interdisciplinary Conference on Motherhood, 2014-07-17 - 2014-07-20. (Unpublished)

9

Cantrell, Kate (2013) Tell the Truth, Respect Privacy, Display Normalcy: Breaking the Rules of Self-Disclosure in Women’s Auto/Biography. In The 14th Humanities Graduate Research Conference, 2013-11-14 - 2013-11-15. (Unpublished)

77

Cantrell, Kate (2010) Telling Stories [The Certainty of Yellow]. In Ignite10! Creative Industries Postgraduate Research Conference, 2010-10-27 - 2010-10-29.

86

Cantrell, Kate (2011) The Unreliable Child Narrator in Lauren Slater’s Lying. In 20th Biennial Congress of the International Research Society for Children’s Literature: Fear and Safety in Children’s Literature, 2011-07-04 - 2011-07-08. (Unpublished)

113

Cantrell, Kate (2010) Women with Passports, Words without Value: Contemporary Female Travel as a ‘Promiscuous’ Excursion. In Australian Women’s and Gender Studies Conference, 2010-06-30 - 2010-07-02. (Unpublished)

21

Cantrell, Kate (2010) ‘You Can Interview Me, But I Don’t Have a Story’: Local Accounts of Queensland Women, Rewondering Queensland Landscapes. In 'Environmental Change - Cultural Change' Conference, 2010-09-01 - 2010-09-04. (Unpublished)

218

Cantrell, Kate, Pedlingham, Graeme, & Mechie, Calum (2011) Researchers in Schools: A New Model for Post-Doctoral Initial Teacher Education. In International Federation for Teaching English/4th Conference on English Education Summer Conference, 2015-07-06 - 2015-07-09. (Unpublished)

32

Demers, L.-P., Jacques, P., Fauvel, S., & Cerny, E. (1987) CHESHIRE: An object-oriented integration of VLSI CAD tools. In 24th ACM/IEEE Design Automation Conference, 1987-06-28 - 1987-07-01.

2

Demers, Louis-Philippe (2006) Anthropocentricity and the social robot: Artistic and aesthetic investigations into machine behaviours. In 50th Anniversary Summit of Artificial Intelligence, 2006-07-09 - 2006-07-14.

35

Demers, Louis-Philippe (1993) Interactive and live accompaniment lighting for dance. In Dance and Technology Conference, 1993-01-01 - 1993-01-01.

66

Demers, Louis-Philippe (2019) Up-Close Experiences with Robots. In International Symposium on Computational Media Art (ISCMA) 2019, 2019-01-04 - 2019-01-07. (Unpublished)

37

Demers, Louis-Philippe (1991) A performance instrument for lighting. In International Computer Music Conference, 1991-10-16 - 1991-10-20.

8

Demers, Louis-Philippe & Jean, Philippe (1997) New control approaches on lighting. In Showlight 1997, 1997-05-01 - 1997-05-01. (Unpublished)

21

Demers, Louis-Philippe, Thalmann, Daniel, & Magnenat-Thalmann, Nadia (1983) Locating, replacing and deleting patterns in graphics editing of line drawing. In Graphics Interface '83, 1983-05-09 - 1983-05-13.

8

Demers, Louis-Philippe & Vorn, Bill (1995) Real Artificial Life as an Immersive Media. In 5th Biennial Symposium on Arts and Technology, 1995-03-02 - 1995-03-05.

46

1

Fuller, Melanie, Moyle, Gene Margaret, & Minett, Geoffrey M. (2017) Are dancers more susceptible to injury when transitioning to full-time training or professional companies? A systematic review. In IADMS 27th Annual Conference, 2017-10-12 - 2017-10-15.

66

Fuller, Melanie, Moyle, Gene Margaret, & Minett, Geoffrey M. (2016) When do injuries occur in dance? A systematic review and discussion of training load. In IADMS 2016 Annual Conference, 2016-10-20 - 2016-10-22. (Unpublished)

188

Hadley, Bree J. (2017) The social experiment – Pranks, political activism, and performing stigma. In American Society for Theater Research, 2017-11-16 - 2017-11-19. (Unpublished)

Haynes, Rachael Anne (2016) Homeground: Artist run institutions and ethics of care. In Art Association of Australia and New Zealand Conference - The Work of Art, 2016-12-01 - 2016-12-03. (Unpublished)

36

Hayward, V., Daneshmed, L.K., Foisy, A., Boyer, M., Demers, L.P., Ravidran, R., & Ng, T. (1990) The evolutionary design of MCPL, the MSS command and programming language. In IEEE International Workshop on Intelligent Robots and Systems, Towards a New Frontier of Applications, 1990-07-03 - 1990-07-06.

121

1

Holland-Batt, Sarah (2017) The aesthetics and ethics of photographic Ekphrasis: Poetic representations of Emmett Till. In Great Writing: International Creative Writing Conference, 2017-06-23 - 2017-06-24. (Unpublished)

78

Hutchison, Steph (2018) Post-digital calibration. In Choreographic Coding Lab, 0001-01-03. (Unpublished)

24

Hutchison, Steph & Jenkins, Greg (2018) Transdisciplinary Experimental Creative Practice: inside the Ars Electronica Futurelab Academy @ the Queensland University of Technology. In Art-making, Machines and Creative Learning Seminar, 2018-05-22 - 2018-05-22. (Unpublished)

Hutchison, Steph & Jenkins, Greg (2018) Transdisciplinary Experimental Creative Practice: inside the Ars Electronica Futurelab Academy at the Queensland University of Technology. In Ars Electronica Festival, 2018-09-06 - 2018-09-10. (Unpublished)

Kelman, Kristina (2019) Music industry education: Current approaches and future directions. In 2019 APME Conference: Celebrating Diversity in Popular Music Education, 2019-06-12 - 2019-06-15. (Unpublished)

80

Kelman, Kristina & Cashman, David (2019) Industry-based popular music education: India, college rock festivals, and real world learning. In MEIEA Educators Summit 2019, 2019-03-21 - 2019-03-23. (Unpublished)

168

Kelman, Kristina & Greig, Adam (2017) Internationalising and entrepreneurialising music curriculum in higher education: An India–Australia collaboration. In 2017 MEIEA Educators Summit, 2017-03-31 - 2017-04-01. (Unpublished)

34

Levy, Brett, Pyle, David N., & Sade, Gavin J. (2019) Challenges and opportunities associated with deploying AR/VR technologies in Indigenous Research and Cultural Heritage Studies. In AIATSIS National Indigenous Research Conference, 2019-07-01 - 2019-07-03. (Unpublished)

124

Macrossan, Phoebe (2015) Constructing Glee’s Sung-Through Musical Narrative through Spontaneity and Verisimilitude. In Society for Cinema and Media Studies (SCMS) Annual Conference, 2015-03-25 - 2015-03-29. (Unpublished)

131

Maher, Sean (2018) Noir as spatial history of Los Angeles: The historicisation of Los Angeles through film noir and neo noir. In International Conference on the Image, 2018-11-03 - 2018-11-04, Hong Kong, China, CHN.

131

McGowan, Lee (2017) From the pitch to the stadium and the streets beyond: Mapping generic conventions in football fiction. In Genre Worlds Conference, 2017-11-10 - 2017-11-12.

52

Narain, Natasha, Gonsalves, Kavita, & Fa'aleava, Agapetos (2021) TransHuman Saunter: Multispecies Techno-Entanglements in the Brisbane City Botanic Gardens. In Memory, 2021-09-02 - 2021-09-03, Melbourne, Australia, AUS.

125

Narain, Natasha, Gonsalves, Kavita, & Fa'aleava, Agapetos (2022) TransHuman Saunter: The Other Tree, the Other Human and Other Stories of a City. In Australian Council of University Art and Design Schools Conference, 2022-10-28 - 2022-11-11, Melbourne, Australia, AUS.

14

Neideck, Jeremy & Stoneham, Nathan (2021) 'We’ll meet you underground': Transcultural performance practices in queer space and time. In International Federation of Theatre Research, 2021-07-12 - 2021-07-16, Galway, Ireland, IRL. (Unpublished)

30

Rixon, Tessa (2019) Creating authentic digital performance: A mixed methods study of Australian theatre and dance. In Qualitative Methods Conference, 2019-05-01 - 2019-05-03, Brisbane, Australia, AUS. (Unpublished)

72

Rixon, Tessa (2023) Embedding an ecoscenographic framework within tertiary performance pedagogy. In International Federation of Theatre Researchers, 2023-06-08 - 2023-06-18, Prague, Czech Republic, CZE.

5

Rixon, Tessa (2019) Finding the Digital on Australian Stages. In Prague Quadrennial of Performance Design and Space, 2019-07-06 - 2019-07-16. (Unpublished)

233

Rixon, Tessa (2017) Finding the intersections: The symbiosis of improvisational choreography and interactive scenography in two creative developments. In Australasian Association for Theatre, Drama and Performance Studies Conference - Performing Belonging in the 21st Century, 2017-06-27 - 2017-06-30. (Unpublished)

51

Rixon, Tessa (2023) Leave No Trace: A new methodology for shaping eco-ethical digital scenography informed by back-country hiking. In Theatre and Performance Research Association Conference 2023, 2023-08-30 - 2023-09-01, Leeds, United Kingdom, GBR.

458

Rixon, Tessa (2023) Towards an Understanding of Technology's Role within Sustainable Performance Making: 'Leave No Trace' Digital Scenography. In Australasian Association of Theatre, Drama and Performance Studies Conference, 2023-11-27 - 2023-12-01, Adelaide, Australia.

12

Rixon, Tessa (2023) Unpacking the "Why" and the "How" of Crafting Engaging Digital Scenographies. In Prague Quadrennial of Performance Design and Space 2023, 2023-06-08 - 2023-06-18, Prague, Czech Republic, CZE. (Unpublished)

9

Rixon, Tessa, Hutchison, Steph, Brumpton, Anthony, Browning, Yanto, McCormick, John, Milford, Nadia, & Skelhorn, Matilda (2022) Crafting scenography environments in and for Extended Reality in 'The Guest House'. In Prague Quadrennial of Performance Design and Space, 2022-05-04 - 2022-05-06, Prague, Czech Republic, CZE.

27

Roy, C., Demers, L.-P., Cerny, E., & Gecsei, J. (1985) An object-oriented switch-level simulator. In 22nd ACM/IEEE Design Automation Conference, 1985-06-23 - 1985-06-26.

78

Ryan, Mark David (2015) Australia cinema studies: How the subject is taught in Australian universities. In Film and History Association of Australia and New Zealand (FHAANZ) Conference, 2015-07-01 - 2015-07-03. (Unpublished)

44

Ryan, Mark David (2018) Digging up the history of Australian horror cinema: Delineating transnational-horror, Ozploitation and Australian Gothic movies from the 1970s to now. In The Uses of Cinema: Film, Television, Screen, Screen Studies Association of Australia and Aotearoa New Zealand Conference, 2018-11-21 - 2018-11-23. (Unpublished)

118

Ryan, Mark David & Murphy, Kayleigh F. (2016) Pedagogical uses of Australian screen content in tertiary education. In Sea Change: Transforming Industries, Screens, Texts; Screen Studies Association of Australia and Aotearoa New Zealand Conference, 2016-11-23 - 2016-11-25. (Unpublished)

62

Saward, Melanie (2019) Writing through crisis: The function of moratorium in the cult novel. In Australasian Association of Writing Programs (AAWP) 24th Annual Conference, 2019-11-25 - 2019-11-27, Sydney, Australia, AUS.

Willsteed, John (2016) Folds in time - Performing the archive. In International Association of Music Librarians (IAMI) Australia 2016 Conference Brisbane – Local History, Local Music, 2016-09-29 - 2016-09-30. (Unpublished)

33

Willsteed, John (2017) Strangers, immigrants and bandits: Activating recent sub-cultures. In Museums Galleries Australia, 2017-05-14 - 2017-05-17. (Unpublished)

31

Armstrong, Keith M. (2019) Uncanny valleys: Super-site. [Digital or visual products]

Austin, Caroline & Ashworth, Karike (2020) 43 Minutes. [Artefact]

Austin, Caroline & Ashworth, Karike (2020) Benny. [Artefact]

Blacklock, Naomi (2023) Breath Hovering Beneath the Base. [Artefact]

Blacklock, Naomi (2023) A Ritual for Aruna. [Artefact]

Buday, Csaba (2006) Tribe. [Performance]

Candusso, Damian (2013) Inaudible Visions, Oscillating Silences. [Exhibition/Event]

Candusso, Damian & Klabbers, Johannes (2008) Return to Oswiecim. [Exhibition/Event]

Carter, Joe, Oancea, Sorin, & Newsome, Tfer (2022) JTI - The Future of Trauma Data: A Vision of the Future of Data Gathering and Management in Trauma Care. [Digital or visual products]

Creado, Rhea & Pedersen, Courtney (2022) It's An Emergency: Understanding Race Within Medicine. [Artefact]

18

Demers, Louis-Philippe (2017) Area V5. [Exhibition/Event]

Demers, Louis-Philippe (2004) Armageddon. [Performance]

Demers, Louis-Philippe (2004) Colony 001. [Exhibition/Event]

Demers, Louis-Philippe (2008) Colony 002. [Performance]

Demers, Louis-Philippe (2004) En Attendant le Metro. [Digital or visual products]

Demers, Louis-Philippe (2001) L'Assemblee. [Digital or visual products]

1

Demers, Louis-Philippe (2010) The Tiller Girls. [Performance]

Demers, Louis-Philippe, Stewart, Garry, Boureau, Vincent, Bredehorn, Bernhard, & Zirz, Kai (2006) Devolution. [Performance]

Demers, Louis-Philippe & Vorn, Bill (1997) La Cour des Miracles. [Digital or visual products]

Demers, Louis-Philippe & Vorn, Bill (1999) Le Proces. [Digital or visual products]

6

Fung, Kiki, Cosgrove, Christopher, & Maher, Sean (2021) The Poetics of Chinese Language Cinema: Festivals as a form of education. [Digital or visual products]

Gonsalves, Kavita, Fa'aleava, Agapetos, Ha, Thanh Lan, Junpiban, Naputsamohn, & Narain, Natasha (2021) TransHuman Saunter@A Collective Conversation. [Digital or visual products]

14

Gonsalves, Kavita, Fa'aleava, Agapetos, Ha, Thanh Lan, Junpiban, Naputsamohn, & Narain, Natasha (2022) TransHuman Saunter@After Progress Exhibition. [Digital or visual products]

25

Hart, Phoebe, McIntyre, Sophie, Watan, 弗耐•瓦旦 Baunay, Quadrio, Mandy, Ah Kee, Vernon, Taru, 尤瑪•達陸 Yuma, & Lin, 林安琪 Anchi (2024) Australia-Taiwan First Nations Art Exchange 2023 - Short Documentary. [Digital or visual products]

Hutchison, Steph (2015) Meta. [Performance]

25

Kelly, Kathryn, Gattenhof, Sandra, Enoch, Wesley, & Rixon, Tessa (2024) SAND: A premiere production in collaboration with Redlands Performing Arts Centre, Taikoz and Belloo Creative. [Performance]

9

Kelly, Kathryn, Swann, Levi, Ibanez Arricivita, Icaro, Rixon, Tessa, & Dennis, Linda (2022) A Special Relationship: Celebrating the relationship between Japan and Australia, through the lens of Osaka 1970 and Brisbane 1988 World Expositions. [Other]

11

Krauth, Alinta (2022) Multispecies Interactive Art. [Other]

Krauth, Alinta (2021) Shelter in Place. [Digital or visual products]

Krauth, Alinta & Nelson, Jason (2021) Hide and Seek Shelter. [Exhibition/Event]

McGowan, Lee (2017) Outdoor reads - flora and fauna. [Exhibition/Event]

45

McKewen, Daniel (2014) I'll Be Gone, You'll Be Gone. [Digital or visual products]

9

McKewen, Daniel, Lobwein, Guy, & Mauro, Adrian (2023) A Dark Forest. [Artefact]

McKewen, Daniel, Lobwein, Guy, & Mauro, Adrian (2021) A Rising Tide. [Artefact]

Megarrity, David (2018) Writing, recording and performing optimism: a Tyrone and Lesley Folio. [Other]

Neideck, Jeremy, Park, Younghee, Stoneham, Nathan, & McKeague, M'ck (2021) Hello Project Online. [Digital or visual products]

10

Nicol, Rohan, Pagan, Sabine, & Candusso, Damian (2020) The Gudgenby Mission. [Digital or visual products]

Turner, Jane, Seevinck, Jen, Krauth, Alinta, Tweeddale, Anna, Sheikh, Hira, Gonsalves, Kavita, Armstrong, Keith, Pedersen, Courtney, Haynes, Rachael, King-Smith, Leah, & Robb, Charles (2021) Transitioning towards Sustainable Futures: More than human futures: Data Wall Exhibition. [Exhibition/Event]

81

Van Opdenbosch, Paul (2019) The Play of Light [Animations]. [Digital or visual products]

Vincs, Kim, Hutchison, Stephanie, McCormick, John, Skovli, Daniel, Taylor, Simeon, Wallace, Kieren, Lin, Bobby, Batty, Josh, Divers, Peter, Vincs, Robert, Camilleri, Laura, Groves, Shannon, Corbett, Emma, Baracco, Camillo, Chesher, Brodie, Cross, Ashley, & Hustas, Anita (2019) The crack up. [Performance]

Whelan, Michael (2019) Room 17 Goes Large. [Exhibition/Event]

1,570

Whelan, Michael & Kassulke, Daniel (2020) William Robinson: By the Book: Audio Media Production. [Artefact]

Whelan, Michael, Kerr, Jeremy, Harper-Hill, Keely, & Zelenko, Oksana (2020) InclusionED. [Design]

4

Willsteed, John (2018) The Paul O'Brien Collection 1970-1987. [Exhibition/Event]

28

Willsteed, John (2019) That's really something. [Performance]

26

Willsteed, John (2019) That's really something. [Performance]

Barry, Julia (2021) Adapting and integrating elements of best practice in dancer wellness in elite adolescent pre-professional dance programmes into private dance studio contexts. Master of Philosophy thesis, Queensland University of Technology.

277

Batch, Morgan L. (2019) The loss of small white clouds: Dementia in contemporary performance. PhD thesis, Queensland University of Technology.

946

Bennett, Joel Craig (2020) Immersive performance environment: A framework for facilitating an actor in virtual production. PhD by Creative Works, Queensland University of Technology.

597

Bomai, Dick (2024) Understanding Indigenous responses to sorcery accusation related violence: Peacebuilding by the Yuri People of Papua New Guinea. PhD by Publication, Queensland University of Technology.

140

Booth, Anastasia G. (2017) Playing with me: Feminine perspectives in fetishism and contemporary art. PhD by Creative Works, Queensland University of Technology.

1,601

Borland-Sentinella, Deanna (2020) Embodied futures: Weaving futures thinking, applied theatre and community development in creative and participatory embodied practice. PhD by Creative Works, Queensland University of Technology.

294

Breen, India R. (2017) Miniature thunder: Inscribing the self in ekphrastic poetry. Masters by Research by Creative Works, Queensland University of Technology.

529

Browning, Yanto (2022) Theorising the music city: Play, placemaking, political economy, and music production in the ‘undersong’ of the city. PhD thesis, Queensland University of Technology.

267

Bruinstroop, Jarad (2022) Reliefs: Biographical ekphrasis and the Queer artist. PhD by Creative Works, Queensland University of Technology.

Brunner, Thalia (2021) Suspension of disbelief: Animating believable 3D nebula visual effects utilising real-time technology. Master of Philosophy by Creative Works, Queensland University of Technology.

240

Burton, David (2021) Playwriting methodologies in community-engaged theatre practice in regional Australia. Professional Doctorate by Creative Works, Queensland University of Technology.

244

Butt, Aaron J. (2018) Missed encounter: Disavowal, apophenia, obscenity and reenactment in contemporary art. Masters by Research by Creative Works, Queensland University of Technology.

327

Carattini, Carolyn Margaret (2020) Psychological skills in ballet training: An approach to pedagogy for the fulfilment of student potential. Professional Doctorate thesis, Queensland University of Technology.

640

Carey, Benjamin P. (2018) The architect of forking paths: Developing key writing strategies for interactive writers. PhD by Creative Works, Queensland University of Technology.

508

Carmody, Jessica (2021) The lure of memory: Embodying and reconstructing fragmented narratives through contemporary art. Master of Philosophy by Creative Works, Queensland University of Technology.

437

Carter, Danielle Catherine (2019) Envisaged, invited and actual audiences: A new model to approach audience research in Australian community-engaged performance projects. PhD thesis, Queensland University of Technology.

396

Carter, Joseph (2022) Extreme sports as filmed entertainment: Understanding aesthetic form, style and characteristics of extreme sports films. PhD by Creative Works, Queensland University of Technology.

389

Carter, Michelle L. (2018) The Creative Business Model Canvas: The Business Model Canvas reimagined for visual artists. Masters by Research thesis, Queensland University of Technology.

2,185

Chance, Sally (2020) I see you seeing me: An analysis of the relationship between invitation and participation in Theatre for Early Years. Professional Doctorate by Creative Works, Queensland University of Technology.

256

Cheers, Rebecca (2020) Knowing Anne Brennan: Lyric poetry as feminist biography. Master of Philosophy by Creative Works, Queensland University of Technology.

129

Clark-Fookes, Tricia (2021) Exquisite pressure: Entanglements at the intersection of artistry, pedagogy and digital technology. PhD by Creative Works, Queensland University of Technology.

295

Crawfoot, Dylan J. (2018) The role of the album in popular music production. Master of Philosophy by Creative Works, Queensland University of Technology.

836

Creado, Rhea (2023) Children as change-makers: How socially engaged art in New York City can inform arts pedagogy for children. PhD by Creative Works, Queensland University of Technology.

47

Croft, Jessica (2023) Consonance and dissonance: Musical specialist language and characters in fiction. Master of Philosophy by Creative Works, Queensland University of Technology.

50

Davies, Lowana-Skye (2023) Precarious Smellscapes - deepening our olfactory understanding of slow violence; sustaining more-than-human futures. Master of Philosophy thesis, Queensland University of Technology.

161

Duncan, Jo Fay (2020) Lines in the sand: North Stradbroke Island festivals 2011-2014: Chronicling a curatorial philosophy in response to ecology of change. Masters by Research by Creative Works, Queensland University of Technology.

287

El Sayed, Sara (2021) We can't all be the good Muslim hero: Intersubjective obstructions in writing Arab-Australian Muslim experience. Masters by Research by Creative Works, Queensland University of Technology.

Ellis, Angelina M. (2000) The classical guitar in Australia: Foundations. Masters by Research thesis, Queensland University of Technology.

1,833

Ellis, Hele (2017) Decentering the subjective: The transcendent experience of formlessness in an abstract expressionist painting practice. Masters by Research by Creative Works, Queensland University of Technology.

347

English, Lawrence P. (2017) The listener's listening. PhD by Creative Works, Queensland University of Technology.

1,470

Fuller, Melanie (2021) Injury surveillance and monitoring during transitions in dance training and careers including end-user perceptions towards training load practices. PhD by Publication, Queensland University of Technology.

48

Gaze, Tim (2020) Surf, sun, and sound: The role of surf music in the development of Australian popular culture. An investigation of the iconic surf film, Morning of The Earth, as a medium. Professional Doctorate by Creative Works, Queensland University of Technology.

647

Goold, Lachlan A. (2018) Space, time, creativity, and the changing character of the recording studio: Spatiotemporal attitudes toward 'DIY' recording. PhD by Creative Works, Queensland University of Technology.

1,370

Groenningsaeter, Anders Kile (2017) Musical bedroom: Models of creative collaboration in the bedroom recording studio. Masters by Research by Creative Works, Queensland University of Technology.

2,649

Grogan, Jayden (2020) Embodied sampling as a process of developing an individual moving identity for male dance professionals. Master of Philosophy by Creative Works, Queensland University of Technology.

171

Haggarty, Takako (2023) Exploring the Japanese tradition of 'Kuchishoga' as an intercultural music pedagogy for people with vision impairment and intellectual disability. PhD thesis, Queensland University of Technology.

49

Hague, Kaitlin M. (2018) Chasing dreams: Investigating talent identification and development in ballet. Masters by Research thesis, Queensland University of Technology.

893

Hamilton, Scott (2021) The heroic fairy tale villain: Application of Vladimir Propp's formalist schema to the creation of a revisionist cinematic fairy tale in which the traditional villain is transformed into an anti-hero. Masters by Research thesis, Queensland University of Technology.

620

Hearn, Lucinda J. (2018) Wild release: Making albums for audiences in a short-form economy. Masters by Research by Creative Works, Queensland University of Technology.

245

Heck, Elizabeth L. (2016) Social learning and the facilitation of co-creative media practice in community media, arts and cultural organisations. PhD thesis, Queensland University of Technology.

443

Herburg, Melissa (2023) Inter-audience interaction in immersive theatre. PhD thesis, Queensland University of Technology.

615

Hoffensetz, Douglas (2024) A plane away: Transitioning traditional 2D character design workflows to 3D space using VR paint tools. Master of Philosophy by Creative Works, Queensland University of Technology.

30

Hoffmann, Maria L. (2018) Adapting Rudolf Steiner's Zwoelf Stimmungen (Twelve Moods): Insights from reworking a group eurythmy to a solo performance. Masters by Research by Creative Works, Queensland University of Technology.

987

Holdsworth, Christopher (2024) The things I fear for us: Australian climate fiction and the emergence of ecological consciousness. Master of Philosophy by Creative Works, Queensland University of Technology.

80

Howlett, Christopher (2020) Mapping the techno-stice: Dissensual territories. In-between technology and contemporary art. PhD by Creative Works, Queensland University of Technology.

351

Hume, Lindy (2021) A bigger picture: Toward a landscape-oriented arts practice. PhD by Creative Works, Queensland University of Technology.

258

Jacobson, Anna (2023) Braided memoir, twine, and psychiatric survivor storytelling: Converging Narrative Medicine, Mad Studies, and Transmediality. PhD by Creative Works, Queensland University of Technology.

212

Jacobson, Anna L. (2018) Besamim: Exploring Jewish identity, mental illness and gender in poetry. Master of Philosophy by Creative Works, Queensland University of Technology.

129

James, Robin (2023) Sustaining national feature film production: Knowledge transfers from pre-production processes in globalised filmmaking. PhD thesis, Queensland University of Technology.

150

Jefferies, Tiana (2021) Tuning to thresholds: An object-oriented study of affect and contemporary art practice. Master of Philosophy by Creative Works, Queensland University of Technology.

234

Jeffrey, Erica R. (2017) Dance in peacebuilding: Space, relationships, and embodied interactions. PhD thesis, Queensland University of Technology.

1,329

Jenkins, Greg (2024) Continuums of creative practice curricula: Frameworks for learning and teaching. Professional Doctorate thesis, Queensland University of Technology.

75

Jessen, Rebecca (2024) 'A presence that can't be seen': Poetry, digital media and lesbian identity made visible. PhD by Creative Works, Queensland University of Technology.

Jong, Sze Joon (2022) Iban Ajat: Digitisation framework for the conservation of a Sarawak traditional dance. PhD by Creative Works, Queensland University of Technology.

293

King-Smith, Duncan C. (2018) The immense amplification of the silent valley. A soundscape project. Master of Philosophy by Creative Works, Queensland University of Technology.

209

Krauth, Alinta (2022) More-than-human creative practice: Approaches to making interactive and digital art as enrichment for wild flying foxes and domesticated dogs. PhD by Creative Works, Queensland University of Technology.

239

Larin, Genine (2024) Empathic gestures: Exploring emergent states of being as an aesthetic practice of existence. PhD by Creative Works, Queensland University of Technology.

20

Laube, Jacob M. (2017) Understanding artist development: How do producers support the development of artists through the production process? Masters by Research by Creative Works, Queensland University of Technology.

2,543

Lobwein, Guy A. (2020) Consuming conflict: Militainment, desire and virtual reality in contemporary art. Master of Philosophy by Creative Works, Queensland University of Technology.

371

Lucas, Chanel M. (2020) Too old to rock? Investigating the Queensland mid-career music scene. Master of Philosophy thesis, Queensland University of Technology.

248

Luttrell, Briony M. (2017) A cultural semantics of string arrangement for recorded Popular music: A model for analysis and practice. PhD by Creative Works, Queensland University of Technology.

1,226

Lynch, Daniel T. (2017) Holding transmedia: Narrative at the intersection of print and digital creative writing. PhD by Creative Works, Queensland University of Technology.

794

Mafe-Keane, Vanessa (2019) Settling the score: Pre-scoring spatio-temporal processes for independent dance practice. PhD by Creative Works, Queensland University of Technology.

274

Maher, Rick (2024) Tinker Tailor Soldier Dancer: The Role of Dance in Enhancing Quality of Life for Australian Veterans with a History of Trauma-Related Psychological Injury. PhD thesis, Queensland University of Technology.

39

Maloney, Kristen (2024) AUGMENTED PERFORMANCE: Creating authentic narratives through the integration of augmented reality via a smartphone application in live performance. PhD by Creative Works, Queensland University of Technology.

Mason, Jennifer (2022) NAIDOC and me: A personal narrative journey exploring NAIDOC and lived experience. Professional Doctorate by Creative Works, Queensland University of Technology.

310

Matthaei, Nerida K. (2018) Recontextualising my choreographic self: Conceptual and processual strategies for rerouting practice. Professional Doctorate by Creative Works, Queensland University of Technology.

1,017

McCullough, Craig (2023) Sound mobility: Smartphones and tablets as ubiquitous polymedia music production studios. PhD thesis, Queensland University of Technology.

95

McGrath, Wendy J. (2018) Digging deep: Material investigations into the intangible aspects of landscape sites towards a holistic representation of place within creative practice. Master of Philosophy by Creative Works, Queensland University of Technology.

139

McGuire, Myles T. (2022) Fruitful approaches: Queer Theory and Historical Materialism in contemporary Australian fiction. Master of Philosophy by Creative Works, Queensland University of Technology.

139

McLeish, Amelia (2022) Artist-run initiatives and community: A practice-led examination of how artist-based communities are formed and understood in contemporary Australian art. Master of Philosophy by Creative Works, Queensland University of Technology.

361

Meiklejohn, Donna M. (2017) Documentary pitching, pre-sales and funding: Succeeding in a transforming digital landscape. Professional Doctorate by Creative Works, Queensland University of Technology.

6,028

Meyers, Richard A. (2018) Exploring the experiences of gamers playing as multiple first-person video game protagonists in Halo 3: ODST's single-player narrative. Masters by Research thesis, Queensland University of Technology.

613

Missingham, Racheal (2021) Australia's Deaf theatre: Past, present and future. Master of Philosophy thesis, Queensland University of Technology.

560

Munkara, Marie (2017) A living landscape. Masters by Research by Creative Works, Queensland University of Technology.

354

Murphy, Clare (2023) Crisis modes: Transforming patterns of ecocultural identity with the heterogeneous possibilities of creative nonfiction. Master of Philosophy by Creative Works, Queensland University of Technology.

61

Narain, Natasha (2024) Living kantha: A creative interpretation of Bengali women's traditional practices. PhD by Creative Works, Queensland University of Technology.

105

Narain, Natasha (2017) Mapping a liminal: Nurturing of kantha into contemporary art. Masters by Research by Creative Works, Queensland University of Technology.

443

Nino Contreras, Camilo Andres (2022) Entrepreneurship and career development in higher music education within the context of the creative industries in Colombia. PhD thesis, Queensland University of Technology.

111

Nuttall, Keir (2021) I’m with Muriel: Applying a persona-centred songwriting technique to the creation of a new Australian musical. PhD by Creative Works, Queensland University of Technology.

395

O'Brien, Jonathan (2020) The arts as a networked ecosystem: Visualising relationships in Brisbane's performing arts sector. Master of Philosophy thesis, Queensland University of Technology.

120

Oancea, Sorin (2023) The immanent animation director: a conceptual framework for transitioning to immersive, virtual reality directing. PhD by Creative Works, Queensland University of Technology.

28

Odendaal, Pieter (2020) Sounding relations to grond and water: Responding to social-ecological change through spoken word poetry. PhD by Creative Works, Queensland University of Technology.

351

Osborne, Astrid (2023) Trans joy: Examining and developing intersectional trans women in narrative comedy. Master of Philosophy by Creative Works, Queensland University of Technology.

45

Padua, Daniel A. (2017) The Family 'Playlist': Popular music, age and identity. PhD thesis, Queensland University of Technology.

1,131

Park, Younghee (2022) Theatre-making in the age of #MeToo: Working cross-culturally toward a framework for making safer creative spaces. Master of Philosophy thesis, Queensland University of Technology.

175

Pinxit-Gregg, Quinty (2021) The transdisciplinary creative producer: The role and practice of a creative producer in festivals; emerging and ever-evolving. Master of Philosophy by Creative Works, Queensland University of Technology.

351

Pratt, Daniel James (2020) Sensemaking in the recording environment: Understanding the role of the record producer. PhD by Publication, Queensland University of Technology.

336

Rea, Antonietta R. (2017) The enchanted drive: Landscape in motion. Master of Philosophy by Creative Works, Queensland University of Technology.

101

Reilly, Fiona Jane (2019) Journeys in kitchens: Travel writing and the possibilities of new encounters with women, food and domestic life in Islamic cultures. Masters by Research by Creative Works, Queensland University of Technology.

317

Reynolds, Bianca (2019) This house is full of shadows: A post-Jungian analysis of the contemporary family homecoming drama. PhD by Creative Works, Queensland University of Technology.

7

Robb, Charles (2020) Cloud methodology: Objects, topology and practice. PhD by Creative Works, Queensland University of Technology.

100

Sargeant, Amy (2020) Semiotics of disillusionment: Protesting and Reframing Australia's political spectacle through détournement. Master of Philosophy by Creative Works, Queensland University of Technology.

258

Schroder, Megan J. (2022) Creative insights: Senior school teachers' experience of creativity in Queensland across the curriculum. PhD thesis, Queensland University of Technology.

150

Schroder, Megan Janet (2018) Making futures: The role of agency and possibility thinking in the creative lives of young people. Masters by Research thesis, Queensland University of Technology.

209

Scoggin, Christine (2020) Strong houses, strong voices: Sharing the lived experiences of post-natural builders in South Africa. PhD by Creative Works, Queensland University of Technology.

56

Shelton, Meaghan L. (2018) Intricate, infinite: Addressing the ineffable aspects of women's experience through the lens of traditional craft practice. Masters by Research by Creative Works, Queensland University of Technology.

223

Simcoe, Anthony W. (2022) Teaching oral organisational storytelling skills in large-scale corporate environments. Professional Doctorate by Creative Works, Queensland University of Technology.

16

Smith, Imogen J. (2017) Materiality and media: Australian literary journals in the post-digital publishing ecology. PhD thesis, Queensland University of Technology.

573

Stringer, Helen (2019) The impossible story: Arthur W. Frank's "Chaos Narrative" and memoirs of madness. Master of Philosophy thesis, Queensland University of Technology.

610

Takeuchi, Reina (2021) Bodies of transmission: Embodiment, hybridity and transculturation in contemporary art and performance practice. Master of Philosophy by Creative Works, Queensland University of Technology.

344

Tegan, Charlotte (2020) Balancing the binary: Ambivalent entanglement and digital isolation in creative capacity for contemporary photomedia artists. PhD by Creative Works, Queensland University of Technology.

246

Terry, Amanda R. (2018) Waking up to waste: Exploring the transformative capacities of deep listening and sound art. Masters by Research by Creative Works, Queensland University of Technology.

267

Toro Duque, Estefania (2022) Addressing subjectivity: Pedagogical strategies for teaching and assessing sound design. Master of Philosophy thesis, Queensland University of Technology.

93

Vickerman, Ellen M. (2022) Chiasmus as constraint: Negotiating with narrative form in contemporary creative writing practice. Master of Philosophy by Creative Works, Queensland University of Technology.

212

Vilmanis, Elizabeth J. (2017) Seeing the chameleon: Barriers to making dance work for independent dance creators in Brisbane. Masters by Research thesis, Queensland University of Technology.

628

Whitaker, Lillian (2024) Empathetic ethnography: Developing ecocentric art collaborations with other-than-human agents. Master of Philosophy by Creative Works, Queensland University of Technology.

20

Widdicombe, Daniel (2021) Come together: Creating a cross-genre musical community of practice. Master of Philosophy by Creative Works, Queensland University of Technology.

139

Wijesiri Narayana Don, Nimal Wijesiri (2022) Representation of identity in Sinhala theater: The impact of the religious/charity model. PhD thesis, Queensland University of Technology.

256

Williams, Jack (2021) Recording the story: Exploring the relationship between music production and narrative. PhD by Creative Works, Queensland University of Technology.

226

Worfold, Chris (2021) Facture, fold and the image-screen: The effect of digital imaging on the production of analogue painting. PhD by Creative Works, Queensland University of Technology.

253

Wright-Brough, Freya K. (2019) Constructing digital narratives: Negotiating totality and infinity with people from refugee backgrounds. PhD by Creative Works, Queensland University of Technology.

287

Demers, Louis-Philippe (2015) Machine performers : Agents in a multiple ontological states. PhD thesis, University of Plymouth.

117

Holland-Batt, Sarah (2019) The Gurney: Poetry, Ekphrasis and the Abject Image. PhD by Creative Works, The University of Queensland.

Hutchison, Stephanie, Elise (2017) Meta: discourses from dancers inside action machines. PhD by Creative Works, Deakin University.

130

Studley, Thomas, Drummond, Jon, Scott, Nathan, & Nesbitt, Keith (2021) Exploring real-time music composition through competitive gameplay interaction. PhD thesis, University of Newcastle.

Megarrity, David & Boyle, Bridget (2018) Onstage couplings: Making beautiful music with the male/ female comic duo. [Working Paper] (Unpublished)

Cantrell, Kate (2008) In Bed with Autobiography: Unravelling the Fabric of Gender and Genre in Women’s Bed(room) Confessions. (Unpublished)

1,512

Gattenhof, Sandra Jane & Saunders, John Nicholas (2017) National Advocates for Arts Education (NAAE) Submission to Review to Achieve Educational Excellence in Australian Schools. (Unpublished)

87

Hutchison, Steph (2018) Physical Thinking Prototypes | Post-Digital Calibration. (Unpublished)

Ryan, Mark (2022) Support for the Australian Screen Industry: National Cultural Policy Submission. Department of Infrastructure, Transport, Regional Development, Communications and the Arts.

38

Ryan, Mark David, Macrossan, Phoebe, Adams, Michael, & Cliff, Cameron (2020) No point in stopping white paper: A publisher-centred blockchain model for the book publishing industry. QUT Digital Media Research Centre.

111

Seevinck, Jen, Eisentrager, Lauren, Wanless, Lisa, Rawlinson, Jasmine, Gagic, Lazar, Peter, Natasha Mae, Johnson, Emma, Elizabeth, Fatseas, Suo, Ratanak, Goo, Ruo Xuan, McBunker, Zara, Guardia, Clare, Gonsalves, Kavita, Fa'aleava, Agapetos, Ha, Thanh Lan, Junpiban, Naputsamohn, Narain, Natasha, Sheikh, Hira, Krauth, Alinta, Turner, Jane, Baade, Kirsten, Montgomery, Brian L., Trewin, Brendan, Shepherd, Darren, Rezayan, Leo, & Pagendam, Daniel E. (2021) IXD for the Planet: Interaction Design projects in sustainability and the environment.

59

Willsteed, John, Brown, Amanda, & Morrison, Lindy (2017) 16 Lovers Lane at the Queensland Music Festival. (Unpublished)

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